The 2nd edition of the Brooklyn Horror Film Festival has upped the ante since their incarnation last year: the festival has extended its run to a fourth day, doubled its number of feature-length movies and added more participating theatres!
The festival will open with Turkish surrealist horror Housewife, making its North American premiere. The two centerpiece features will be Cold Hell (Die Hölle in German) and Joe Lynch’s bureaucratic Battle Royale, Mayhem. Closing the festival will be the North American premiere of The Book of Birdie.
The line-up includes horror films that have already travelled the world film festival circuit like Game of Death, Fashionista, Sequence Break and Tragedy Girls. However, there will be a world premiere of the New York-made rape-revenge flick, Get My Gun.
Slasher fans will most likely be lining up to see To Hell and Back: The Kane Hodder Story. The documentary examines the early years of the actor whose resume includes playing Jason Voorhees and Victor Crowley of the Hatchet series. There will also be a mini-marathon of the first four parts of Friday the 13th, to be appropriately screened on Friday, October 13th.
There are loads of other events like a drunk TedTalk on final girls, a focus on Mexican horror, an art and VR showcase, and a midnight drunken ghost hunt, as if you needed an excuse to drunkenly wander around Brooklyn.
You can read the synopses of the feature films below.
1974 (EAST COAST PREMIERE)
Mexico / Dir. Victor Dryere
Sponsored by El Buho Mezcal
Shortly after getting married in 1974, the young couple Altair and Manuel disappeared without a trace in Mexico. Through a collection of 8mm tapes and home movies, the newlyweds’ fates are revealed in all of their bizarre and terrifying glory. A much-needed shot in the arm for a tired horror style, Mexican filmmaker Victor Dryere’s genuinely unnerving 1974 deserves mention alongside found-footage gems like [REC] and PARANORMAL ACTIVITY.
THE BOOK OF BIRDIE (NORTH AMERICAN PREMIERE)
UK / Dir. Elizabeth E. Schuch
Emotionally fragile and prone to hallucinations, shy teenager Birdie is placed in a convent. Birdie’s new surroundings, however, trigger her deepest and darkest obsessions, most prominently her love of, and fascination with, blood. Anchored by its all-women cast, first-time director Elizabeth E. Schuch’s one-of-a-kind THE BOOK OF BIRDIE impressively blends psychological horror, whimsical fantasy, and feminist ideals.
CLEMENTINA (NORTH AMERICAN PREMIERE)
Argentina / Dir. Jimena Monteoliva
A young woman traumatized by a savage attack from her husband begins to hear voices in her apartment. Jimena Monteoliva’s solo directorial debut expertly builds tension, maintaining a sense of unease from the start that creeps higher until the frightening and suffocating shocker of a third act. Cecilia Cartasegna delivers with a classically terrifying portrait of a woman on the edge. Film guests in attendance.
COLD HELL (EAST COAST PREMIERE)
Germany / Dir. Stefan Ruzowitzky
Co-Presented by Shudder
Turkish-born taxi driver Ozge doesn’t take shit from anyone. After she witnesses a brutal murder from the window of her Vienna apartment, Ozge becomes the target of a slick and calculated serial killer. Unfortunately for him, though, Ozge has her own brand of viciousness on tap. An intelligent and live-wire cross between Italian Giallo and Jason Bourne, Oscar-winning director Stefan Ruzowitzky’s COLD HELL is a first-rate, action-packed genre-bender.
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THE CRESCENT (EAST COAST PREMIERE)
Canada / Dir. Seth A Smith
Following her husband’s death, a woman takes her two-year-old son to live in a remote beachfront estate. Plagued by painful memories, the young mother does her best to overcome emotional trauma, but the locals have their own plans. Before long, their strange, dark, and ancient traditions turn her life into a waking nightmare. Visually ambitious and tonally hypnotic, Canadian filmmaker Seth A. Smith’s haunting THE CRESCENT casts a sneakily powerful spell.
FASHIONISTA (NEW YORK PREMIERE)
USA / Dir. Simon Rumley
No one does psychological disturbance like British cinema provocateur Simon Rumley, who complete his unofficial Texas trilogy (after RED WHITE & BLUE and JOHNNY FRANK GARRETT’S LAST WORD) with a film that proves you can’t spell “distress” without “dress.” RED WHITE’s Amanda Fuller is fascinating as April, a clothing-obsessed woman whose suspicions about her husband’s infidelity send her down a rabbit hole of dangerous, self-destructive behavior.
THE FOREST OF LOST SOULS (EAST COAST PREMIERE)
Portugal / Dir. José Pedro Lopes
Two suicidal strangers explore the Forest of Lost Souls together, looking for the best spot to commit suicide all the while debating, what’s the best way to kill yourself? It soon becomes clear that one person isn’t who they say they are. This black-and-white-shot nightmare is a unique and disturbing modern take on the slasher film.
GAME OF DEATH (NY PREMIERE)
Canada/France / Dirs. Laurence Baz Morais & Sebastien Landry
For a group of party-crazy teens, it’s all about smoking, drinking, and sex. But that goes to hell when they play a board game that requires human blood and whose uncontrollable countdowns lead to someone’s head exploding. Survival requires killing someone else. Bodies will drop; craniums will burst. Insanely gory and fun as hell, Canadian co-directors Sebastien Landry and Laurence Baz Morais’ GAME OF DEATH is deliriously madcap splatter cinema.
GET MY GUN (WORLD PREMIERE)
USA / Dir. Brian Darwas
Sponsored by Quickframe
Amanda is left pregnant after being raped at her work. When a crazed stalker becomes obsessed with her unborn child she is forced to evolve from prey to predator as to protect both her and her baby’s body. Film guests in attendance.
HAGAZUSSA – A HEATHEN’S CURSE (EAST COAST PREMIERE)
Germany / Dir. Lukas Fiegelfeld
Surrounded by heightened paranoia and superstition, an evil presence threatens a mother and her infant child in the Alps of 15th century Austria. But is this ancient malevolence an outside force or a product of her psychosis? With stunningly gorgeous photography and atmosphere for days, Lukas Fiegelfeld’s gothic horror fever dream illustrates the dangers associated with dark beliefs and the infestation of fear.
HEAD TRIP SHORTS BLOCK
Proving that horror is about more than just scares, these HEAD TRIP shorts boldly push the genre’s boundaries and challenge your preconceptions.
HOUSEWIFE (NORTH AMERICAN PREMIERE)
Turkey / Dir. Can Evrenol
Sponsored by Birth.Movies.Death
Haunted by the bloodstained memories of a horrific childhood incident, Holly’s struggles with separating her nightmares from reality derail after she meets charismatic psychic with a secret agenda. Capitalizing on the immense promise shown by his brutal 2015 breakthrough BASKIN, writer-director Can Evrenol solidifies himself as horror’s future with this hypnotic and gruesome ode to Bava-esque Italian horror. Film guest in attendance.
INHERITANCE (EAST COAST PREMIERE)
USA / Dir. Tyler Savage
Out of the blue, a man learns of the death of his absentee biological father by inheriting his 2.5 million dollar home. While staying there with his pregnant fiancé, he uncovers horrible truths about his father that could destroy his life. Fantastic lead performances and a patient sinister narrative make this one hell of an impressive debut for director Tyler Savage. Film guest in attendance.
LOCALS ONLY SHORTS SHOWCASE
Sponsored by Quickframe
BHFF is proud to bring to you our second annual LOCALS ONLY shorts showcase. This shorts block allows us to provide a platform for all the incredible homegrown filmmakers to show off their talent and badassery to the masses.
MAYHEM (NY PREMIERE)
USA / Dir. Joe Lynch
Co-Presented by Shudder
THE WALKING DEAD’s Steven Yeun plays a young lawyer who’s just been fired from his firm for a mistake he didn’t actually make, and faces even more severe troubles when his co-workers are infected with the “ID7 virus.” Their quarantined building becomes a rage-fueled killing ground in director Joe Lynch’s (WRONG TURN 2, EVERLY) fast-paced blend of corporate satire and corporeal brutality.
MEXICO BARBARO II (NORTH AMERICAN PREMIERE)
Mexico / Dir. Lex Ortega, Sergio Tello, Diego Cohen, Fernando Urdapilleta, Michel Garza, Carlos Melendez, Ricardo Farías, Christian Cueva, Abraham Sanchez
Sponsored by El Buho Mezcal
In 2014, the truly demented Mexican filmmaker Lex Ortega assembled his country’s best horror filmmakers for the shocking anthology MEXICO BARBARO. But if you thought that film was gnarly, wait until you get a load of this crazier and wonderfully unhinged follow-up, helmed by an all-new lineup of on-the-rise Mexican horror voices and touching on cannibalism, porn, and historical demons. Film guests in attendance.
NIGHTMARE FUEL SHORTS BLOCKS
From Nazi-fueled ghosts to demonic phone apps, NIGHTMARE FUEL spans the globe to celebrate the scariest and most unique pure horror shorts.
RIFT (NY PREMIERE)
Iceland / Dir. Erlingur Thoroddsen
Intrigued by an out-of-nowhere phone call, Gunnar heads to a remote outpost to reconnect with his ex-boyfriend Einar. Great conversation and fond memories are shared, yet the two men can’t shake the feeling that someone, or something, else is there—and has sinister plans. Elegant and assured, the subtly creepy RIFT is the audacious sophomore feature from Icelandic filmmaker Erlingur Thoroddsen, whose debut, CHILD EATER, world-premiered at BHFF 2016. Film guest in attendance.
SALVATION (NORTH AMERICAN PREMIERE)
Spain / Dir. Denise Castro
Stuck in a hospital waiting to undergo open heart surgery, Cris (Marina Boti) finds a reason to stay in another patient named Victor (Ricard Balada) who claims to be a vampire. Surrounded by death, the two enamored teenagers hatch a plan to escape the hospital together. Filled with both sadness and unbridled hope, Salvation is the arthouse answer to Twilight.
SEQUENCE BREAK (NY PREMIERE)
USA / Dir. Graham Skipper
Sponsored by Brooklyn Fireproof Stages
Busy genre actor Graham Skipper (RE-ANIMATOR: THE MUSICAL, BEYOND THE GATES, THE MIND’S EYE) makes his feature writing/directing debut with a surreal, absorbing homage to the body-horror cinema and video games of the ’80s. Chase Williamson plays an arcade-game repairman who finds love with a customer (Fabienne Theresa) and terror from a mysterious game with a lot more powering it than pixels. Film guest in attendance.
THE SHIVER OF THE VAMPIRES (1971)
France / Dir. Jean Rollin
In conjunction with the launch of Spectacular Optical’s LOST GIRLS: THE PHANTASMAGORICAL CINEMA OF JEAN ROLLIN, book editor Samm Deighan will host a special screening of Rollin’s SHIVER OF THE VAMPIRES. Originally released in 1971, the French auteur’s psycho-sexual masterwork demonstrates all of Rollin’s cinematic touchstones: erotic scares, drop-dead-gorgeous bloodsuckers, and ornately shot kink. It’ll turn you into a Rollin disciple if you aren’t one already.
TO HELL AND BACK: THE KANE HODDER STORY (EAST COAST PREMIERE)
USA / Dir. Derek Dennis Herbert
The man behind two of horror’s greatest slashers, Jason Voorhees and the HATCHET franchise’s Victor Crowley, Kane Hodder has proven himself unbeatable when it comes to offing on-screen victims. But as it turns out, he’s even more unbeatable in real life, having persevered through a painful childhood and a nearly fatal accident. Derek Dennis Herbert’s heartfelt documentary TO HELL AND BACK candidly reveals the heart and soul of a horror icon.
ADS ARE SCARY
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TRAGEDY GIRLS (NY PREMIERE)
USA / Dir. Tyler Macintyre
Co-Presented by Nitehawk Cinema
Status obsession has a body count when BFFs Sadie (Brianna Hildebrand, DEADPOOL’s Negasonic Teenage Warhead) and McKayla (Alexandra Shipp) capture a serial murderer whose exploits they’ve been chronicling on their blog. How do they keep the slaughter spree going so they have more to report on? The answers are both giggly and grisly in a film also featuring a fun supporting turn by Craig Robinson (also a producer).
VERONICA (US PREMIERE)
Mexico / Dir. Carlos Algara & Alejandro Martinez Beltran
Sponsored by El Buho Mezcal
A retired psychologist agrees to take on one more patient under the condition that the young lady move into her isolated home in the woods. A game of secrets and lies ensues as the two women battle for psychological dominance. Mexican co-directors Carlos Algara and Alejandro Martinez-Beltran’s feature debut is an erotically charged mystery with echoes of early Polanski.
The Brooklyn Horror Film Festival will take place from October 12th to October 15th. Buy your tickets here!