Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music...
July is Greedy Guts month here at Nightmare On Film Street, when writers are given carte blanche to write about...
Jason Axinn’s animated feature film, To Your Last Death, is gory thrill ride about trauma, inevitability, and just how awful our parents can be. With a bold animation style and a stellar team of voice actors, it’s no surprise that the film is a delightful piece of violent escapism in...
In the 1980s, a strange band came into the underground music scene. Calling themselves The Mentors, each member wore a...
Porno is an absolutely hilarious little movie from director Keola Racela about a group of born-again Christian teens under the spell...
[Podcast] Nightmare Alley: Selling Your Soul For Rock ‘n’ Roll with STUDIO 666 Director BJ McDonnell
DESCRIPTION: Welcome back to Nightmare Alley, Fiends! It’s the spooky little sidestreet podcast in the Nightmare on Film Street feed. This week your horror hosts Jon & Kim are joined by director BJ McDonnell (Hatchet III) to discuss his newest film Studio 666. We ask him what it was like...
Powered by RedCircle DESCRIPTION Join your Holiday Horror hosts Kim & Jon as they close out their creepy Christmas double-feature...
Blood, metal, and lots and lots of demons. You’ll find no shortage of any in Id Software’s followup to their...
More than 30 years ago, wholesome all-American families were clutching at their pearls in their suburban homes as they watched back-to-back news coverage of Satanic cults and heavy metal music inspiring acts of murder. Those reports were debunked years later, but the zeitgeist of that era provides the perfect backdrop...
Jason Eisener’s Kids vs. Aliens is a Saturday morning cartoon splatter-fest that, if you’re in the right mood, you’ll eat up...
With a tagline like “Where everything trying to kill you is downright adorable,” parents might be scratching their heads on...
In the decades to come, the case of duelling Hellboy films will make a fascinating case for some film historian. How can two films with the same source material be so wildly different in style and tone? Where as Guillermo del Toro’s 2004 Hellboy enjoyed the advantage of a light...




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