Nightmare on Film Street | Horror Movie News, Reviews, Horror Podcast

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·February 26, 2020

[Review] Japanese Folklore Gets Funny in Netflix’s SPECTROS

BRAHMS THE BOY II 2020

·February 20, 2020

[Review] BRAHMS: THE BOY II Is All Dolled Up With Nowhere To Go

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·February 15, 2020

[Review] In AFTER MIDNIGHT, Being Alone is Scary, but So is Being Together

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·February 15, 2020

[Review] Blumhouse’s FANTASY ISLAND (2020) is No Sweet, Sweet Fantasy, Baby

·February 14, 2020

[Exclusive Interview] Writer/Director/Actor Toby Poser Talks Family Filmmaking in THE DEEPER YOU DIG

·February 14, 2020

[Exclusive Interview] Director Maggie Levin Explores Reality, References, and Relationships Through INTO THE DARK: MY VALENTINE

LoveLetter

·February 13, 2020

[FGBFF 2020 REVIEW] Queer Horror Shorts Program ReImagines the Genre as a Place of Fluidity, Sex, and Terror

GASLIGHT 6

·February 11, 2020

[FGBFF 2020 Review] #MeToo Shorts Program Tackles The Many Faces of Sexual Assault

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·February 10, 2020

[Review] Netflix’s LOCKE AND KEY Delivers a Promising But Uneven Adaptation

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·February 8, 2020

Saturday Morning Scares: Goosebumps is the Perfect Intro to Horror!

·February 7, 2020

[Review] INTO THE DARK: MY VALENTINE Is A Heart-Shaped Piece Of Cathartic Candy

the night house 2020

·February 6, 2020

[Exclusive Interview] Composer Ben Lovett On THE NIGHT HOUSE, David Bruckner and His Deep Cut Connection to Alkaline Trio