65%
Justin McConnell’s Clapboard Jungle documents five years in the life of an indie filmmaker. The documentary is not only a must-see...
65%
78%
UFO horror is an acquired taste. Found footage horror is an acquired taste. Luckily, Skyman–both a UFO film and a...
Welcome back fiends the newest edition of Making a Monster! We’ve covered a wide array of movie monsters the past few months, from serial killers to mental projections of one messed up rabbit. This month, we’re going beyond what your typical definition of “movie monster” is to cover some of...
Welcome to Gut the Punks! A monthly dissection of genre film with some loose connection to punk rock music and culture. Prom...
Audiences are not often exposed to the harsh realities of pregnancy, but director Emma Tammi is familiar with the sobering...
Earlier this month, many of us were shocked to see our uncles or our old high school friends on Facebook sharing unsubstantiated claims that this whole pandemic is a hoax. Especially at a time like this, misinformation is running wild and some people would rather believe in conspiracy theories than...
[Exclusive Interview] PORNO Composer Carla Patullo on Creating The Film’s Unique and Seductive Sound
The bewitching allure of Fangoria’s latest film Porno has been tantalizing and teasing audiences since it first hit the festival...
Happy Cops ‘n’ Killers month, fiends! Or should I say “Cops…who royally screwed up and burned said killer alive, turning...
Interviewing filmmakers gives you an insight into how much work goes into a single movie. Several years could pass between when the script is written and when the movie is released and a director’s job doesn’t end when the final scene is wrapped. It’s followed by endless months of post-production,...
More than 30 years ago, wholesome all-American families were clutching at their pearls in their suburban homes as they watched...
86.25%
Not since The Blair Witch Project has a found-footage movie been so cryptic about its origins. The severe lack of...
93.75%
In Leap of Faith: William Friedkin on The Exorcist, documentary filmmaker Alexandre O. Philippe turns his obsessive interests to William Friedkin’s The Exorcist (1973). Philippe’s most recent films have fixated on the development of Ridley Scott’s Alien and its evolution from screenwriter Dan O’Bannon’s original concept in Memory :The Origins of Alien (2019) as...
