We’ve been overloading you here at Nightmare on Film Street with our film coverage and reviews of the 2019 Overlook...
On the 200 year anniversary of Mary Shelley’s Frankenstein, veteran horror director Larry Fessenden set out to retell the story...
Last Halloween, Faster Horse Pictures announced there development plans for a new horror franchise centered around one of New Orleans’ most haunted locations: The LaLaurie Mansion. The property is home to over 100 years of cruelty, bad luck, and all manor ill-fated happenings. In other words, this house seems to...
If Steampunk had been adopted by Perfume companies and the Dollmaker Mattel, (instead of neo-gothic adults with an affinity for...
The southern gothic neo-noir Blood on Her Name is the crime-thriller other crime-thrillers hope to be when they grown up....
The new Indian horror-fantasy Tumbbad is a dark and dangerous story of one man’s greed for a fallen god’s gold. Like all men blinded by visions of unearned prosperity, our main character is clever but foolish enough to believe he has outsmarted the god, keeping him under control and at bay. He soon...
This month at Nightmare On Film Street, we’re nearing the End of Days. Like many tinfoil hat conspiracy nuts, I’ve...
We’re dealing with some high stakes on the high seas on this week’s Fiend Club Exclusive episode of Nightmare on...
DESCRIPTION: Getting old sucks, but fingers crossed your retirement won’t look like a Haunt at Halloween Horror Nights! Join your hosts Jon & Kim as they sit down with Axelle Carolyn, writer/director of Welcome To The Blumhouse’s The Manor to chat about the deliciously gothic surrounding of her newest film,...
Powered by RedCircle DESCRIPTION Join your Nightmare on Film Street horror host Kimmi and Jon for a TITLES OF TERROR!...
Calling all supernatural fans and single-locations addicts! Zoom horror freaks, assemble. Jennifer Reeder’s Night’s End is the most recent Quarantine-sploitation flick to...
The Oak Room (2020) is a love letter to the gothic thrillers of the past, which is fitting, since the theme of the film is about the past catching up with you. In a cross between No Country For Old Men (2007) and Frailty (2001), the seedy bar stools of...