Director. Writer. Actor. Artist. Journalist. When it comes to the horror genre, the craft of quality filmmaking is found in...
With the massive popularity of IT (2017) and IT Chapter Two (2019), it’s hard to remember that just a few years...
60%
SCORE
As a fervent fan of anything Alien (1979), I was initially sceptical about Director Alexandre O. Philippe’s documentary, Memory: The Origins of Alien. I was doubtful in the way a fine art collector would raise his eyebrows in suspicion, and tut under his breath as a deranged outsider claimed that he had an original...
To say that Bliss breaks the vampire movie mold is a hilarious understatement. Bliss shatters that mold, shreds it into...
Superheroes are everywhere. Between a new Marvel movie at least once a year and DC’s attempts at breaking into the...
Barbara Crampton is a name synonymous with some of the biggest cult-hit films like Re-Animator, From Beyond, Chopping Mall, Beyond The Gates, Castle Freak, You’re Next, and We Are Still Here. As of late, the fan favorite actress has experienced a stunning career rebirth as her call back to horror continues...
Taika Waititi’s Jojo Rabbit celebrated it’s US Premiere at the 2019 Fantastic Film Festival, wrapping audiences in a warm and...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
90%
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to hilarious. His sheer cinematic output and his generic range seem like impossible feats, but someone he has done it with an overwhelming sense of style. He shows no sign of...
80%
At this point in 2019, we can agree that horror is, or at least can be, political. New director Orçun...
83.75%
Is there anything more iconic in horror than the haunted house? An isolating setting, shadowy nooks, crannies, and the invasion...
88.75%
Films today never truly dip their toes in piety. It is often used in horror as a cheap-shot quick-grab “good vs evil” theme, running barely as thick as a bowl of a 69-cent can of soup. Saint Maud, the debut feature film from Rose Glass, instead dances a terrifying and...
