We had the absolute pleasure of speaking with singer/songwriter/composer/actor (and gent) Paul Williams at the 2019 Fantasia Film Festival. Music...
When Brian De Palma’s Phantom of The Paradise was released to theatres in 1974 it was an immediate flop. The movie failed...
I feel a certain pride when talking about directors from Quebec; Xavier Dolan and Denis Villeneuve are a few names that come to mind, but recently my attention has shifted to RKSS (RoadKill SuperStar). The trio, consisting of Anouk Whissel, François Simard and Yoann-Karl Whissel, started off making low-budget horror...
The 2019 Fantasia Film Festival is home to surprising and shocking cinema and their Fantasia Underground program is the showcase...
There’s something so beautiful and enticing about the idea of leaving it all behind to chase down big city dreams...
The ever-changing LA set thriller 1BR celebrated its world premiere at the 2019 Fantasia Film Festival where Montreal’s cult obsessed were shown a nightmare vision of one girl’s struggle to make it in the big city. written and directed by David Marmor, 1BR stars Naomi Grossman (American Horror Story), Taylor Nichols (Jurassic...
Was there ever a crime-thriller that came out of the United Kingdom that you weren’t immediately afraid to watch? Sure,...
Canada’s national treasure of indie genre cinema, Bruce McDonald, returns with a dark and dreamy oeuvre titled Dreamland. Those who...
Now, that practically every ‘80s horror franchise has had a comeback, it was only a matter of time before the Critters returned. It’s been 27 years since Critters 4, though the webseries Critters: A New Binge was released on Shudder earlier this year, so the timing was perfect. The newest...
Opening the 2019 Fantasia Film Festival Underground program this year was a surprising indie film, and one of the festival’s...
If Steampunk had been adopted by Perfume companies and the Dollmaker Mattel, (instead of neo-gothic adults with an affinity for...
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...