79%
It’s rare for a film to completely throw you for a loop, becoming an experience beyond anything you expected. I...
79%
Knock Knock… It’s the oldest joke in the book, but still one to illicit a reaction from the person answering...
70%
SCORE
It only took one film for comedy veteran Jordan Peele to become Horror’s darling. Get Out catapulted him into an overnight sensation; turning heads and ticket sales, with hushed voices whispering “the new Hitchcock” to any uninformed earhole. The film also created a seat at the table for Peele – and...
Smaller and Smaller Circles is based on the award-winning novel of the same name by F.H. Batacan. It uncovers a...
For people today, dating can be as easy as swiping right on your phone. In a pre-Internet world, however, you...
What’s up, weirdos? Welcome to February’s edition of Awfully Good, a monthly column where we look at movies that might not be “good,” but are definitely worth watching. In the spirit of Women in Horror Month, tonight’s feature is Slumber Party Massacre III! Before we get into that, though, let’s...
If there is any universal notion that proves to be wholly unerring it is that you cannot escape the past....
The Changeling is a magical indie thriller out of New Zealand. It mixes possessions and magic with a classic cat-and-mouse thriller approach. It is both grounded, touching and full of suspense. With a mostly unknown cast and virtually no marketing, this one may slip by you, so be on the lookout and don't miss out on this little known gem!
The Laplace’s Demon has been making the rounds on the film festival circuit for some time now and will soon be available on VOD February 22. Directed by Giordano Giulivi, The Laplace’s Demon is a gripping little film that takes place over one night in mansion-sized escape room. The “killer” hunting our characters...
Directed by Lee Cronin, The Hole in the Ground is an Irish supernatural horror film acquired by infamous indie studio, A24. The...
Valentine’s Day is the annual celebration of love, romance, and infatuation. Leave it to Blumhouse to prove Cupid’s holiday is not...
It seems ironic to review a film whose entire theme questions the subjectivity of art and the role a critic plays in the massive machine of commercializing the creative. The film industry mirrors that of the art industry, and perhaps Dan Gilroy’s latest genre-bender, Velvet Buzzsaw, is commenting on the...
