Horror movies and Halloween go together like caramel on apples. Like orange and black. Like pumpkins and triangle faces. Like...
DESCRIPTION: Big news this week, Fiends! Nightmare on Film Street is officially part of the Bloody Disgusting Podcast Network. Join Kim...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House) manages to pull off a unique take on the subject in his latest film, Come True. The atmospheric sci-fi horror film celebrated its world premiere at this year’s Fantasia Film...
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In Aaron B. Koontz’s The Pale Door, a gang of outlaws bite off more than they can chew after a simple...
Howdy, aperitif Fiends! Welcome back to Nightmare on Film Street’s COCKTAIL-A-TORIUM – the monthly column aimed at conjuring up classic...
Welcome to Gut the Punks! A monthly dissection of genre film with some loose connection to punk rock music and culture. Prom Season continues here at Nightmare On Film Street. And while the Class of 2020 had to celebrate a sad, no-contact prom at home, maybe it’s for the best, because they...
Audiences are not often exposed to the harsh realities of pregnancy, but director Emma Tammi is familiar with the sobering...
Earlier this month, many of us were shocked to see our uncles or our old high school friends on Facebook...
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Not since The Blair Witch Project has a found-footage movie been so cryptic about its origins. The severe lack of information about the making of Murder Death Koreatown is frustrating for anyone who craves answers. No director is publicly listed, and the identities of the cameraman or any of the...
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Albert Shin’s Disappearance at Clifton Hill hits select theatres (nationwide in Canada) and VOD this weekend. From IFC MIdnight Films, Disappearance...
Perched in front of a microphone, a young woman whispers about her day while drumming her fingers on a desk...
Monster movies are never just one thing. Night of the Living Dead isn’t just about zombies, it’s about prejudices rooted deeply into our society. It isn’t just a story of a murderous clown, it’s also about the horrors of growing up. The Wolf Man isn’t just about werewolves, Frankenstein isn’t just about reanimated corpses, Bird Box isn’t just about...
