I feel a certain pride when talking about directors from Quebec; Xavier Dolan and Denis Villeneuve are a few names...
Every Serial Killer Live Next Door To Someone. This brilliant tagline is echoed in every paranoia-fueled scene of Summer of ’84. Directed...
The dust may have settled from this year’s edition of Sundance, but we here at Nightmare on Film Street are still stoked on the world premiere of the suburban dark thriller, Summer of ’84. We were able to talk to the directors of the film and wrote a short review...
Thoroughbreds is a nasty little thriller about two girls that conspire to murder an overbearing step-father. Estranged friends Amanda and...
Revenge, the feature debut of French director Coralie Fargeat, is a miraculously visceral experience. It brilliantly reclaims the controversial exploitation...
I’m going to preface this review by saying I was not alive in the 70’s, and did not get the opportunity of seeing The Exorcist in its original theatrical run. But, as a life-long horror fan, I’d yet to experience a screening that was so haunting, so deeply unsettling, I...
It seems ironic to review a film whose entire theme questions the subjectivity of art and the role a critic...
Directed by Lee Cronin, The Hole in the Ground is an Irish supernatural horror film acquired by infamous indie studio, A24. The...
Andrew Patterson’s The Vast of Night was the sleeper hit of the 2019 Overlook Film Festival. While the film celebrated its world premiere at Slamdance earlier this year with rave reviews, it flew under almost everyone’s radar and took home the festival Jury Prize for Best Feature. Nightmare on Film...
Rob Zombie’s Firefly Family is back! 3 From Hell, the followup to 2010’s The Devil’s Rejects is in select theatres now,...
Some people collect stamps. Others collect books, records or mini slasher action figures. And then there’s Nathan Barr. Along with...
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Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s Midnight Program. The film is a slow-burn shocker that unfolds its unique brand of madness in a methodical manner, fading from one nightmarish sense of uneasy to another. Juggling timelines...
