The Queen of Hollywood Blvd is a stylish homage to grindhouse crime film that stands out as a visually stunning...
The 2018 Overlook Film Festival was proud to host the world premieres of several highly anticipated films this year. Among...
The German possession film Luz celebrated it’s North American premiere July 20, at the the 2018 Fantasia film festival. Writer/Director were welcomed by a sold-out crowd eager to see their fresh take on the possession sub-genre. Luz is an experimental film that follows a young cabdriver on the run from a demonic...
Surprising no one other than a few not-so-nosy festival goers, the much buzzed about secret screening of Fantastic Fest 2018...
In true Fantastic Fest fashion, the festival surprised everyone when this year’s secret screening was announced to be none other...
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...
The Brooklyn Horror Film Festival wanted to keep its “Secret Screening” a true surprise. No Halloween, they said. no Suspiria....
When it comes to the horror score game, there are few names more revered and respected than that of Goblin....
If there is any universal notion that proves to be wholly unerring it is that you cannot escape the past. Our actions, whether positive or negative, leave a lasting impression throughout our lives no matter how present or dormant they seem to be. Writer and director James Roday (A Million...
Something Else is great for any moviegoer, but it’s hard to argue that horror fans won’t be especially pleased. It’s...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
Wounds are bloody voids surrounded by torn and ruined flesh, an empty space that serves as a reminder of pain, no matter how brief. That emptiness may seem trivial, but in Babak Anvari’s (Under the Shadow) film, literally named Wounds, injuries serve a higher purpose. Based on Nathan Billingrud’s short...