Two men go into space but three come back in Egor Abramenko’s atmospheric sci-fi horror Sputnik. It’s an alien invasion...
JoinedAugust 12, 2017
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Social media can really bring out the worst in all of us. In Ivo Van Aart’s comedic thriller The Columinst...
Serving as the debut feature for actor turned director Dave Franco, The Rental sets out to “do for home-sharing what Jaws did for the water“. Starring Alison Brie (Glow), Sheila Vand (A Girl Walk Home Alone At Night), Dan Stevens (Apostle), Jeremy Allen White (Shameless), as well as a surprising...
Howdy, aperitif Fiends! Welcome back to Nightmare on Film Street’s COCKTAIL-A-TORIUM – the monthly column aimed at conjuring up classic...
You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
Tyler Cornack’s Butt Boy is proof that we are living in the most interest era of filmmaking. We’ve lost some of the awe and magic of those early years, but cinema today has made it possible for wild & crazy ideas to come to life. Just a short time ago, movies like Butt...
When I tell people that I consider Stanley Kubrick’s 2001: A Space Odyssey to be the scariest movie ever made,...
Albert Shin’s Disappearance at Clifton Hill hits select theatres (nationwide in Canada) and VOD this weekend. From IFC MIdnight Films, Disappearance...
Last Halloween, Faster Horse Pictures announced there development plans for a new horror franchise centered around one of New Orleans’ most haunted locations: The LaLaurie Mansion. The property is home to over 100 years of cruelty, bad luck, and all manor ill-fated happenings. In other words, this house seems to...
Ant Timpson’s Come To Daddy hits select theatres and VOD February 7th, just in time to give your sappy Valentine’s love...
In Leap of Faith: William Friedkin on The Exorcist, documentary filmmaker Alexandre O. Philippe turns his obsessive interests to William Friedkin’s...
Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s Midnight Program. The film is a slow-burn shocker that unfolds its unique brand of madness in a methodical manner, fading from one nightmarish sense of uneasy to another. Juggling timelines...