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Justin McConnell’s Clapboard Jungle documents five years in the life of an indie filmmaker. The documentary is not only a must-see...
JoinedAugust 12, 2017
Articles442
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Two men go into space but three come back in Egor Abramenko’s atmospheric sci-fi horror Sputnik. It’s an alien invasion...
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Social media can really bring out the worst in all of us. In Ivo Van Aart’s comedic thriller The Columinst (De Kuthoer), a newspaper columnist and outspoken critic of the internet’s nasty nature confront her twitter trolls irl. Of course, rather than asking for an apology (which she know she...
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Serving as the debut feature for actor turned director Dave Franco, The Rental sets out to “do for home-sharing what...
Howdy, aperitif Fiends! Welcome back to Nightmare on Film Street’s COCKTAIL-A-TORIUM – the monthly column aimed at conjuring up classic...
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You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker tried by a jury of his own fears. Their previous collaboration, Stir of Echoes, was a taught thriller that found a man unraveling a mystery (and his own mind in the...
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Tyler Cornack’s Butt Boy is proof that we are living in the most interest era of filmmaking. We’ve lost some of the...
When I tell people that I consider Stanley Kubrick’s 2001: A Space Odyssey to be the scariest movie ever made,...
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Albert Shin’s Disappearance at Clifton Hill hits select theatres (nationwide in Canada) and VOD this weekend. From IFC MIdnight Films, Disappearance at Clifton Hill follows a woman investigating the disappearance of a young boy that she witnessed being abducted at a very young age. Shot on location in Niagara Falls, Disappearance at Clifton...
Last Halloween, Faster Horse Pictures announced there development plans for a new horror franchise centered around one of New Orleans’...
Ant Timpson’s Come To Daddy hits select theatres and VOD February 7th, just in time to give your sappy Valentine’s love...
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In Leap of Faith: William Friedkin on The Exorcist, documentary filmmaker Alexandre O. Philippe turns his obsessive interests to William Friedkin’s The Exorcist (1973). Philippe’s most recent films have fixated on the development of Ridley Scott’s Alien and its evolution from screenwriter Dan O’Bannon’s original concept in Memory :The Origins of Alien (2019) as...
