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Adam Cesare’s smash-hit horror novel Clown in a Cornfield (2020) makes the leap from page to screen this week, bringing to life...
JoinedAugust 12, 2017
Articles470
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Legendary writer/director David Cronenberg maintains his status as Canada’s coolest weirdo with his latest feature The Shrouds. Cronenberg’s conspiracy obsessed techo-mystery...
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Joshua Erkman’s debut feature A Desert follows a struggling photographer down a spiral of unpredictable horrors in The Middle of Nowhere, USA. Hoping to recapture the spark of his earlier work, he sets out into the unknown, capturing the urban decay of locations left for dead. An abandoned movie theatre, a...
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Panic Fest 2025 has come to a close but you know we couldn’t say goodbye without taking the time to...
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If there is one thing Horror movies have taught me, it’s that summer camps are the safest places on Earth....
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Canadian-made Supernatural Horror It Feeds recently took home some pretty heavy prizes at Panic Fest 2025, including Best Actress and Best Creature. Written and directed by Chad Archibald (Bite, I’ll Take Your Dead) It Feeds is an ambitious indie project punching above its weight class with a killer monster and great script that brings a...
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Irish Filmmaker Aislinn Clarke returns with another dose of eerie Irish Horror in her sophomore feature Frewaka, a story about family,...
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Come get your mind blown out the back of your skull in Flying Lotus’ newest feature, Ash! Recently celebrating its World Premiere...
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There’s nothing better than seeing a Midnight Movie get wildly polarizing reviews after its premiere screening. There’s also nothing worse than having to wait for that movie to play at another festival you’re attending 😒 but it’s always great when a movie is worth the wait! Addison Heimann’s Touch celebrated its world premiere...
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It is so hard to find Horror movies that want to be fun these days. Everything is so serious and...
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It’s not often that we cover comedies here at Nightmare on Film Street, but when we do they are comedies...
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Where would modern Horror be without characters tearing open their chests to wallow in the cosmically unending cycle of grief? Death is the cornerstone of the genre but where classics of the genre were concerned with the fear of dying, contemporary cinema has largely fixed its gaze on the therapeutic...
