88.75%
There is something every horror fan understands – the world needs to laugh at terrible things. Not a horror film...
88.75%
“It’s almost spooky season!” is something I would say to someone who hasn’t yet started their spooky season. (Hey, for...
Rob Zombie’s Firefly Family is back! 3 From Hell, the followup to 2010’s The Devil’s Rejects is in select theatres now, and has already become another divisive film in the director’s catalog of contention. Without burying the lead, I’m just going to come right out and say: I really liked this...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
90%
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to...
80%
At this point in 2019, we can agree that horror is, or at least can be, political. New director Orçun Behram leaves full into political horror with his debut feature film, The Antenna. It is a moody, atmospheric feature that uses nightmarish visuals to portray a hellish not-so-distant future where...
Pumpkin spice is back at your favorite coffee shop. Plastic pumpkins and skeleton fill the aisles of craft stores. Spirit...
What puts the ‘haunt’ in a haunted house for you? Is it small spaces? Creepy crawlers? Morphed rooms? Masked monsters?...
83.75%
It all starts with a little girl wanting a chocolate ice cream cone and ends with a showdown of epic proportions. Like an X-Men film but with more heart, Adam Stein and Zach Lipovsky’s film Freaks offers a new look at the mutant-humans-fighting-for-rights genre that focuses on emotional beats to...
83.75%
Is there anything more iconic in horror than the haunted house? An isolating setting, shadowy nooks, crannies, and the invasion...
This past July, I wrote a piece on punk rockers in genre films, and how a new generation of filmmakers...
88.75%
Films today never truly dip their toes in piety. It is often used in horror as a cheap-shot quick-grab “good vs evil” theme, running barely as thick as a bowl of a 69-cent can of soup. Saint Maud, the debut feature film from Rose Glass, instead dances a terrifying and...
