James Gunn loves superheroes. Even before he took the helm of the wildly popular Guardians of the Galaxy franchise, Gunn...
Of all the species of monsters out there, the plant-based kind is especially overlooked. To me, that’s a travesty. I...
In Creep 2, Mark Duplass returns to the hypnotically unsettling role of psychotic killer, Aaron (Creep 2). Or is it Josef (Creep)? As is a requirement for Found Footage, Aaron’s killer quirk is that he video-tapes his blossoming relationships and soon-thereafter murders of his victims. All who are found through a vague...
The ominous darkness, twisting trees, and dilapidated cabins of a forested wilderness have long been staples of horror. In fact,...
When The Dead Don’t Die comes to theaters a few weeks from now, I suspect there will be a lot...
Though The Strangers: Prey At Night may be just as sadistic as its predecessor, it fell victim to the horror movie tropes the first film so mercilessly abandoned. When it was first released in 2008, The Strangers dropped like a punch in the gut. It was ruthless, unforgiving, the protagonists weren’t safe –...
[Sorta SXSW Review] REMINISCENCES OF THE GREEN REVOLUTION is a Melancholy Nontraditional Ghost Story
Among the many excellent short films set to be showcased at the now-canceled SXSW 2020 was Dean Colin Marcial’s Reminceses...
South by Southwest (SXSW to the cool kids) isn’t happening this year due to the global spread of coronavirus. A...
Here’s the thing about parasites: when it comes to the movies, they just don’t die. In that sense, you might be hesitant to board Neasa Hardiman’s Sea Fever which premiered at the Toronto International Film Festival Friday, September 6. It curious how the small-scale body horror flick can infect audiences...
It’s kill or be killed in Game of Death. The film is little bit Belko Experiment, a little bit Hunger...
In 2016, video game company Ubisoft decided to capitalize on the classic party game Werewolf by turning it into a VR...
In February of 1975, audiences everywhere were introduced to the horror of The Stepford Wives. It was a horror of expectations, the expectations a patriarchal society puts on a woman to become a “perfect wife.” At this year’s Tribeca Film Festival, John Lee’s pregnancy thriller False Positive made for what...
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