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You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
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[Exclusive Interview] THE WRETCHED Composer Devin Burrows Talks About Casting The Film’s Sonic Spell
While watching IFC Midnight’s new film The Wretched, a few things quickly become obvious. For one, a good summertime horror...
What’s up weirdos? Welcome to Awfully Good, where we celebrate movies that suck! In keeping with April’s Cops ‘n’ Killers theme, tonight’s feature presentation is I Know Who Killed Me. It’s a psychological thriller with some torture-porn elements starring Lindsay Lohan (twice!), but we’ll get to that in a minute. First,...
We Summon the Darkness has been tempting horror fans with it’s 80s vibe and shroud of mystery since it hit...
If you’re looking for a source of light and positivity right now, you need not look further than writer, web...
Welcome to Saturday Morning Scares, where we take a look at horror media for the younger fiends out there! Today we’re shining the spotlight on the massive Scooby-Doo franchise, which has been on TV for fifty years! It’s Cops and Killers Month here at Nightmare on Film Street, so it only seems appropriate...
The month of April is the benchmark of many pleasantries, but this time around the start of spring is also...
The atmosphere surrounding Locke & Key‘s infamous Keyhouse exudes mystery, darkness and wonder. It boasts endless possibilities and bottomless secrets...
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It’s finally here! Former Misfits singer Glenn Danzig’s debut feature Verotika has been released to the masses! The movie is a horror anthology based on Danzig’s spooky adult-theme comic series Verotik. After audiences laughed throughout the world premiere at the Cinepocalypse film festival last year, I was convinced Danzig would...
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Albert Shin’s Disappearance at Clifton Hill hits select theatres (nationwide in Canada) and VOD this weekend. From IFC MIdnight Films, Disappearance...
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After a seemingly endless parade of false starts, fans of the beloved horror comic series Locke & Key finally have...
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In Leap of Faith: William Friedkin on The Exorcist, documentary filmmaker Alexandre O. Philippe turns his obsessive interests to William Friedkin’s The Exorcist (1973). Philippe’s most recent films have fixated on the development of Ridley Scott’s Alien and its evolution from screenwriter Dan O’Bannon’s original concept in Memory :The Origins of Alien (2019) as...
