88.75%
There is something every horror fan understands – the world needs to laugh at terrible things. Not a horror film...
88.75%
I had a bit of a Munro Chambers marathon last week; I watched Harpoon one night, Riot Girls for lunch...
What would you do if you were trapped on a boat with two of your friends, and no food or water? How far would you go to survive? We’d all like to think that we could handle ourselves in such a situation, but as Rob Grant’s Harpoon demonstrates, even the...
78.75%
Harold Holscher’s debut feature The Soul Collector (Originally titled 8) is a folk tale from a land whose mythology is...
68.75%
Was there ever a crime-thriller that came out of the United Kingdom that you weren’t immediately afraid to watch? Sure,...
The Pierce brothers The Wretched recently held it’s Word Premiere at the 2019 Fantasia Film Festival, introducing the world to new Witchy rules and Witchy powers. “The vampire,” Brett Pierce shares with us, “has been developing over so long” with very specific strengths and weaknesses, but the traditional Witch is not a monster...
80%
Does anything scream summertime horror better than boy-vs-evil? And I’m not talking Camp Crystal Lake massacre Friday the 13th, curling iron...
77.5%
The 2019 Fantasia Film Festival audience had no idea what was in store for them when they sat down to...
Matthew Pope’s southern-gothic thriller Blood on Her Name has been knocking the wind out of everyone at the 2019 Fantasia Film Festival, and for good reason. The movie is an unrelenting 90-minute punch in the gut that pulls the rug out from underneath you, before dropping a piano ontop if your...
Computers break down, pizza dough rises and spinning roundhouse kicks fly high in the one-of-a-kind psychedelic spy flick Jesus Shows...
The southern gothic neo-noir Blood on Her Name is the crime-thriller other crime-thrillers hope to be when they grown up....
73.75%
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...
