We’re all reasonably/rationally/rightfully concerned about AI being the end of us all, but Chris Marrs Piliero’s Black Mirror adjacent tech-thriller Appofeniacs wants you to...
Writer/director Julie Pacino makes her feature film debut with the lush & surreal psychological thriller I Live Here Now. Shot on...
Radik Eshimov’s Burning is a multi-POV Horror story with nosey neighbors, evil spirits, dead kids, and some really clever camerawork. The movie makes no illusions about its connections to Kurosawa’s Rashomon and instead serves as a modern re-imagining of how we engage with subjectivity. It’s a twisty-turny narrative that strives to provide a few...
If you’ve ever wanted to take a meat clever to the Manosphere, get ready to live vicariously through your favourite...
Single Location Horror thrives in the independent space and Brock Bodell’s Hellcat is a great example of how much story...
Indie stunner Sean Byrne returns to theatres this week with his newest nightmare Dangerous Animals, where sharks aren’t the only apex predators hunting prey off the Australian coastline. Written by Nick Leperd (who also penned Osgood Perkins’ forthcoming Keeper) this slick ‘n’ sinister thriller stars Jai Courtney (Suicide Squad) as a hulking...
The serial killer train is moving full steam ahead for another edition of Nightmare on Film Street! Join your horror...
Borderline wants to be a chaotic thrill ride—a pulpy, twisted home-invasion thriller where a deranged stalker traps a pop star...
James Ashcroft’s debut Coming Home in The Dark (2021) is one of our bleakest contemporary thrillers and his sophomore feature The Rule of Jenny Pen (2025) is equally as dark. When it isn’t lingering in the frailty of the elderly or the sad reality of those same people being abandoned by their loved ones, it’s...
Join usssss on this week’s episode of the Nightmare on Film Street podcast as we sits down to chat with...
Written and directed by Drew Hancock, Companion is a rock-em sock-em Rom Com with a bigger body count than Wolf Man and more laugh-out-loud...
It’s always a shock how quickly things can go from completely normal to totally f*cked up. In Michiel Blanchart’s Night Call (La Nuit se Traîne), a college student moonlighting as a locksmith gets pulled into an organized crime conspiracy after he opens a door into the Belgian underworld. What should have...