71%
SCORE
Have you ever wondered what would happen if you mixed the charm of a small-town diner with the suspense of...
71%
SCORE
It’s a truth universally acknowledged that a movie labeled “horror” must be in want of a ghost, ghoul, or masked...
64%
SCORE
In the high-stakes world of digital currency, Cold Wallet takes us on a comedic heist journey that tries to mine more laughs than crypto, but occasionally finds itself lost in the blockchain of its own storyline. The semi-true tale spins a narrative around Billy (Raul Castillo), a father whose financial...
69%
SCORE
Jack Clark and Jim Weir’s Birdeater is an intriguing entry into the Australian horror scene, attempting to weave a tapestry...
76%
SCORE
Speaking of thrillers that play at the edge of horror– Hunting Daze stands out as a peculiar, yet captivating piece....
88%
SCORE
Osgood Perkins’ Longlegs (2024) is the modern-day crime thriller we’ve been craving. Packed with wicked twists, unnerving visuals, and zany performances, Longlegs delivers a sinister murder mystery that hooks you from the first twisted encounter with the man himself to the final blood-curdling frame. A mesmerizing blend of mystery and...
69%
SCORE
Bone Lake isn’t just a fun name. For this slow-burn psychological thriller, it’s a promise. Following two couples stuck together in...
83%
SCORE
Greg Jardin’s high-concept techno-thriller It’s What’s Inside weaves a tangeled web of deceit and deception among a group of old...
85%
SCORE
It’s always a shock how quickly things can go from completely normal to totally f*cked up. In Michiel Blanchart’s Night Call (La Nuit se Traîne), a college student moonlighting as a locksmith gets pulled into an organized crime conspiracy after he opens a door into the Belgian underworld. What should have...
88%
SCORE
Written and directed by Drew Hancock, Companion is a rock-em sock-em Rom Com with a bigger body count than Wolf Man and more laugh-out-loud...
Join usssss on this week’s episode of the Nightmare on Film Street podcast as we sits down to chat with...
88%
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James Ashcroft’s debut Coming Home in The Dark (2021) is one of our bleakest contemporary thrillers and his sophomore feature The Rule of Jenny Pen (2025) is equally as dark. When it isn’t lingering in the frailty of the elderly or the sad reality of those same people being abandoned by their loved ones, it’s...
