69%
SCORE
Borderline wants to be a chaotic thrill ride—a pulpy, twisted home-invasion thriller where a deranged stalker traps a pop star...
69%
SCORE
71%
SCORE
Have you ever wondered what would happen if you mixed the charm of a small-town diner with the suspense of...
85%
SCORE
It’s always a shock how quickly things can go from completely normal to totally f*cked up. In Michiel Blanchart’s Night Call (La Nuit se Traîne), a college student moonlighting as a locksmith gets pulled into an organized crime conspiracy after he opens a door into the Belgian underworld. What should have...
69%
SCORE
Jack Clark and Jim Weir’s Birdeater is an intriguing entry into the Australian horror scene, attempting to weave a tapestry...
Join usssss on this week’s episode of the Nightmare on Film Street podcast as we sits down to chat with...
64%
SCORE
In the high-stakes world of digital currency, Cold Wallet takes us on a comedic heist journey that tries to mine more laughs than crypto, but occasionally finds itself lost in the blockchain of its own storyline. The semi-true tale spins a narrative around Billy (Raul Castillo), a father whose financial...
88%
SCORE
Osgood Perkins’ Longlegs (2024) is the modern-day crime thriller we’ve been craving. Packed with wicked twists, unnerving visuals, and zany...
It’s a truth universally acknowledged that a movie labeled “horror” must be in want of a ghost, ghoul, or masked...
85%
SCORE
Indie stunner Sean Byrne returns to theatres this week with his newest nightmare Dangerous Animals, where sharks aren’t the only apex predators hunting prey off the Australian coastline. Written by Nick Leperd (who also penned Osgood Perkins’ forthcoming Keeper) this slick ‘n’ sinister thriller stars Jai Courtney (Suicide Squad) as a hulking...
69%
SCORE
Bone Lake isn’t just a fun name. For this slow-burn psychological thriller, it’s a promise. Following two couples stuck together in...
The serial killer train is moving full steam ahead for another edition of Nightmare on Film Street! Join your horror...
88%
SCORE
James Ashcroft’s debut Coming Home in The Dark (2021) is one of our bleakest contemporary thrillers and his sophomore feature The Rule of Jenny Pen (2025) is equally as dark. When it isn’t lingering in the frailty of the elderly or the sad reality of those same people being abandoned by their loved ones, it’s...
