61.25%
Written and directed by Jonathan Cuartas, in his feature film debut, My Heart Can’t Beat Unless You Tell It To...
61.25%
70%
[#PanicFest2021 Review] Be Careful What You Wish For in David Charbonier & Justin Powell’s THE DJINN
David Charbonier & Justin Powell are filmmakers you likely aren’t familiar with yet, but that’s going to change pretty soon....
100%
SCORE
I’m going to assume you’ve seen Ridley Scott’s Alien, but have you seen Ridley Scott’s Alien reenacted by the bus drivers of Dorset? I hadn’t either but now, thanks to Danielle Kummer and Lucy Harvey’s incredibly charming documentary Alien On Stage, you can see the amateur dramatics group ambitious undertaking...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
65%
Stacey Gregg’s thriller Here Before follows a woman’s obsessive grief and how her desire to reconnect with her deceased daughter upends the...
71.25%
From Queensbury Pictures, those loveable psychopaths that brought you Girl On The Third Floor, comes an obsessive acid trip adventure into the annals of analog horror in Jacob Gentry’s Broadcast Signal Intrusion. Like a Videodrome for 90s kids, Broadcast Signal Intrusion is a maddening descent into a mysterious world of missing women and found...
82.5%
If you’re anything like me, cartoons made specifically to fuck you up mentally are the best kind. Everyone’s nostalgic for...
[#SXSW 2021 Interview] Director Mickey Keating Breaks Down The Ethereal Nightmare Logic of OFFSEASON
Mickey Keating is one of the most interesting and versatile indie filmmakers working in horror today. In the same way...
95%
Nick Gillespie’s dark comedy Paul Dood’s Deadly Lunch Break is as sweet as it is sinewy. It tugs on your heartstrings, tickles your funny bone, and pulls out people’s intestines 😄 Never before has bitter revenge been so adorable. It’s also maybe the first movie gorehounds can watch with their gran! Although, gran...
70%
Like a MumbleGore re-imagining of John Carpenter’s The Thing set in the remote forest regions of South Africa, Gaia hints at...
70%
The horror genre has always been unparalleled in how it handles trauma, but even Alex Noyer’s first feature film Sound...
67.5%
I love me a good witch movie. Having cut my teeth on The Craft in the roaring ’90s, I spent the majority of my youth seeking out deviant content with girls behaving badly. Which meant lots and lots of witch movies. Falling in line with present-day cinema’s trend of ‘movies...
