Reviews·January 30, 2020[Sundance 2020 Review] Romola Garai’s AMULET is A New Breed of Midnight Madness
Reviews·February 4, 2020[Sundance 2020 Review] Horror Doc LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST is a Not-So Vulgar Display of Powerful Filmmaking
Interviews·February 5, 2020[Exclusive Interview] How Tragedy and Psychedelic Drugs Inspired Gille Klabin and Carl W. Lucas To Make THE WAVE
Freaky Fun·February 5, 2020Horror-Themed Valentines Day Cards for Your Sick & Twisted Sweetie! [Printable]
Interviews·February 5, 2020[Exclusive Interview] Director Ant Timpson Explains Why He’s Slept Like A Baby Since Filming His Absurd Black-Comedy COME TO DADDY
Interviews·February 6, 2020[Exclusive Interview] Producer Doug McKay Shares Info on The Upcoming ‘LaLaurie Mansion Franchise’ with CONJURING Screenwriters Chad & Carey Hayes
Interviews·February 6, 2020[Exclusive Interview] Composer Ben Lovett On THE NIGHT HOUSE, David Bruckner and His Deep Cut Connection to Alkaline Trio
Reviews·February 7, 2020[Review] INTO THE DARK: MY VALENTINE Is A Heart-Shaped Piece Of Cathartic Candy
Reviews·February 11, 2020[FGBFF 2020 Review] #MeToo Shorts Program Tackles The Many Faces of Sexual Assault
