[Editor’s Note: Welcome back, Fiends! If you haven’t already read Chris’s Poor Decisions of Polarizing Remakes – Part One, go...
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Fellow NOFS contributor Dave Richards described PG: Psycho Goreman to me as “E.T. meets Gwar,” which I have to say...
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Sometimes all that’s needed to bring new energy to a well-trod genre is to inject some deceptively simple innovation into it. In the case of haunted house films, the subgenre has been explored and re-explored in horror until it would seem we’ve seen every possible variation several times over. More...
This month at Nightmare On Film Street, we’re nearing the End of Days. Like many tinfoil hat conspiracy nuts, I’ve...
It’s a Haunting on Film Street this month at NOFS. We’re talking poltergeists, haunted houses and evil spirits. At first,...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House) manages to pull off a unique take on the subject in his latest film, Come True. The atmospheric sci-fi horror film celebrated its world premiere at this year’s Fantasia Film...
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Bringing back a beloved series like Rod Serling’s The Twilight Zone is bound to be met with mixed reviews. Anyone...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre...
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In Sao Paulo, a city already rife with poverty, death and corruption, an ancient evil will be awakened, bringing destruction upon the favelas. Directed by Kapel Furman and Armando Fonseca, the action-packed Brazilian supernatural slasher Skull: The Mask (originally titled Skull: A Máscara De Anhangá) had its World Premiere at...
Gut the Punks! is a monthly dissection of genre film with some loose connection to punk rock music and culture....
Being queer is pretty cool, but also pretty exhausting. As you search to find yourself in film, television, books, and...
It’s that time of the month, readers. Dust off your battlevest, knock back that 40 oz, and settle in for another edition of Gut The Punks! A monthly column devoted to genre cinema with a loose association to punk rock, heavy metal or any other counterculture, set to a loud,...
