The wait is over, and we can finally binge Netflix’s Chilling Adventures of Sabrina: Part 3! I for one have...
Happy holidays, everyone! What better way to celebrate in true horror-loving fashion than by streaming one of Shudder’s latest additions,...
We are currently witnessing a fourth industrial revolution, where artificial intelligence is on its way to surpassing its human inventors. We are beginning to see robots being introduced into the workforce, and it has raised some anxiety and ethical questions among workers in practically every field. Automation plays upon these...
More than any other genre, horror can serve as a workshop for filmmakers. Its tropes and beats are very familiar,...
She Never Died is the “sister sequel” to He Never Died, which starred punk icon Henry Rollins (Suck, Lost Highway)...
Canada’s national treasure of indie genre cinema, Bruce McDonald, returns with a dark and dreamy oeuvre titled Dreamland. Those who were enthralled with his 2008 zombie invasion film Pontypool will be pleased to see McDonald reunite with writer Tony Burgess and lead actor Stephen McHattie to craft a world of...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the...
Grant Sputore’s I Am Mother was release to Netflix June 7th, proving that being a mother is the hardest and most dangerous job on the planet. Raising kids can’t be easy. Their whole lives are before them while you’re there to help shape and mold them. They could be scientists,...
When The Dead Don’t Die comes to theaters a few weeks from now, I suspect there will be a lot...
Of all the species of monsters out there, the plant-based kind is especially overlooked. To me, that’s a travesty. I...
In the decades to come, the case of duelling Hellboy films will make a fascinating case for some film historian. How can two films with the same source material be so wildly different in style and tone? Where as Guillermo del Toro’s 2004 Hellboy enjoyed the advantage of a light...