As cinematic boogeymen go, you can’t do much better than Candyman. Since his first appearance in Bernard Rose’s Candyman (1992), he has...
Happy Cops ‘n’ Killers month, fiends! Or should I say “Cops…who royally screwed up and burned said killer alive, turning...
2023 has been a delightfully spooky year for horror enthusiasts. From slow-burn mysteries to shock-you-out-of-your-socks frights, filmmakers have really upped the ante this year. Though we’ve still got plenty of frights ahead in store, there have already been some killer horror films stacking up in the must-watch pile for 2023....
Earlier this year, in February, the horror community lost an icon. Filmmaker José Mojica Marins, known for his macabre character...
There’s nothing like a good werewolf movie to help you ring in the foggy, full moon season. I’ll take a...
Analog-obsessed modern horror maestro Scott Derrickson is back from his brief jaunt in the Marvel universe with The Black Phone. This eerie tale of missing children (spoiler alert: they dead) is adapted from the Joe Hill short shorty of the same name and co-written by frequent collaborators Derrickson & C....
A quick heads up: if you haven’t checked out Part One of States of Horror, go ahead and read it...
At the intersect of Fargo, Zodiac, and Dog Soldiers is The Wolf of Snow Hollow, Orion Pictures’ latest movie to...
“Sisu” is a Finnish word, impossible to translate. According to the opening scroll it refers to the white-knuckled courage of a person unafraid of death that appears when all hope is lost. A sentiment embodied by the movie’s grizzled, unspeaking lead. Referred to as “The Immortal” by those lucky enough...
You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
Netflix has become a staycation destination for the true crime obsessed in recent years with countless dramatizations, documentaries, and history...
Bitch Ass is the kind of indie horror movie that you wish had major studio money. In an alternate universe where the team was handed a blank cheque, or some slick producer was able to talk them into a $20 million budget, Bill Posley’s Bitch Ass would be the Scott Pilgrim vs...
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