Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
It should be noted that Get My Gun is a rape-revenge, pure and simple. It’s important that you go into...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. It’s Women in Horror Month here at Nightmare On Film Street. At first, I was stumped on which director to write about, in the realm of both horror...
Director. Writer. Actor. Artist. Journalist. When it comes to the horror genre, the craft of quality filmmaking is found in...
[Exclusive Interview] PORNO Composer Carla Patullo on Creating The Film’s Unique and Seductive Sound
The bewitching allure of Fangoria’s latest film Porno has been tantalizing and teasing audiences since it first hit the festival...
72.5%
Netflix has become a staycation destination for the true crime obsessed in recent years with countless dramatizations, documentaries, and history book spun yarns highlighting the world’s most sadistic minds. It’s only a matter of time until Netflix has given every serial killer of the 20th century their patented docu-series treatment...
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Put aside first impressions, challenge your classism, and allow a stranger’s journey in an unfamiliar world wash over you. Feral...
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A secluded bachelorette turns into the girls night from Hell in Spider One and Krsy Fox’s Bury The Bride. Starring...
There are many things to love about Aislinn Clarke. She is the very first woman to direct a feature-length horror film from Northern Ireland. She’s a huge Stephen King fan. She’s a lifelong, dedicated horror fanatic and The Devil’s Doorway is her feature directorial debut. The film was picked up by...
It takes a lot of guts to make a movie. Putting something you created out there for people to judge,...
Tucked between the groundbreaking documentaries and independent features that always come to the Tribeca Film Festival are a series of...
Lloyd Kaufman is a pioneer of independent cinema. For more than 45 years, his B-movie studio Troma Entertainment has been disrupting media with its ever-expanding library of wacky and wonderful films, produced for a fraction of a Hollywood budget. But at every turn, Kaufman has had to constantly carve out...
