After making 6 movies together, and recording a tiny mountain in unreleased music, it’s safe to say that the Adams’...
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[#Fantasia2021 Review] Occult Indie Horror HELLBENDER puts Mother-Daughter Relationships to the Test
Filmmaking is a family affair for the creators behind indie horror Hellbender. Who better to conjure a film about the...
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Reading through the descriptions of the films being screened at this year’s edition of the Fantasia Festival, I found that the write-up for Glorious was incredibly vague. Then a 15-second teaser dropped a couple of weeks later, and I was even more confused about what this movie could possibly be...
This year, Fantasia Fest saw its share of movies that pushed the boundaries of reality. However, none of them did...
If you were watching NOFS’s coverage of this year’s Fantasia Fest, you no doubt are already familiar with 12 Hour...
‘What does it sound like when a computer dreams? And what does it sound like when a computer has a nightmare?’ This would be the phrase that served as inspiration for Gavin Brivik as he composed the synth-infused, swirling digital atmosphere for the psychological horror/mystery thriller Cam. With years of...
Though this year’s Fantasia Fest was chock full of the best kind of horror tropes, only a few of them...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House)...
The German possession film Luz celebrated it’s North American premiere July 20, at the the 2018 Fantasia film festival. Writer/Director were welcomed by a sold-out crowd eager to see their fresh take on the possession sub-genre. Luz is an experimental film that follows a young cabdriver on the run from a demonic...
Keola Racela’s feature film debut Porno pits a group of innocent Christian teenagers against an evil unleashed in their local movie...
Chelsea Stardust’s Satanic Panic recently celebrated its world premiere at the 2019 Overlook Film Festival in New Orleans. The second film...
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There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...
