So, you survived The Substance. Congrats! But if your brain’s still buzzing with its trippy visuals and squirm-worthy themes of...
Werewolf films are amongst the most beloved subgenres of horror, ranging from the iconic that shine under the light of...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. It’s Women in Horror Month here at Nightmare On Film Street. At first, I was stumped on which director to write about, in the realm of both horror...
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At one point or another, we have all found ourselves laying on the bedroom floor, staring up at the ceiling,...
The female experience is such a broad phrase, one that feels othering and makes women feel like monsters. But director...
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Billy’s back on the big screen with the third iteration of Black Christmas slashing into theatres this weekend. Promising a fresh take on Bob Clarke’s 1974 Black Christmas (which was first rebooted in 2006 with the ultra-gory, slightly absurd Black Xmas) 2019 takes the power out of the deranged killer...
Chelsea Stardust has had a pretty killer year. She’s had not one, but two feature-length projects come to fruition. With...
Chelsea Stardust’s Satanic Panic recently celebrated its world premiere at the 2019 Overlook Film Festival in New Orleans. The second film...
New Year’s is a celebration often lost within a mix of horror genre themes as it falls between that monotonous season following the salacious holiday months. Few filmmakers have dared to incorporate the time of renewal as a mechanism of horror, but Sophia Takal has smartly embraced the late night...
Horror films are not kind to rural life. People who live outside of “civilized” cities are evil, unintelligent hicks as...
There are many things to love about Aislinn Clarke. She is the very first woman to direct a feature-length horror...
