Hannah Bergholm’s Finnish horror Hatching (Pahanhautoja) hits select theatres this weekend, after a successful run on 2022’s festival circuit. Hatching was...
Celebrating its 10th year, the Panic Film Festival kicks off on April 28th at the historic Screenland Armour Theatre in...
If you were ever once a teenager, then you’ve likely dreamed about leaving behind the world you know in search of a place to call your own like the cast of Avalan Fast’s Honeycomb. Frustrated by the humdrum existence of the adults around you? Ready to break free of society’s shackles? Honeycomb is...
Mental illness is a monster in Addison Heimann’s supernatural thriller Hypochondriac. The debut feature from the director follows a young...
Kate Dolan’s debut feature You Are Not My Mother world premiered at the 2021 Toronto International Film Festival, creeping out the unsuspecting...
DESCRIPTION We’re kicking back and getting cozy this week with an extended What’s Keeping Us Creepy episode, to share our thoughts on the horror & genre film selections at the 2022 SXSW Film Festival. Joining us to break it all down are our friends Adam & Ashley to give us...
In Hannah Barlow and Kane Senes’ Sisssy, a self-help influencer goes off the deep end at a bachelorette party for...
Finding itself directly in the crosshairs of the late 70s Pornography boom, and the heyday of independent filmmaking, Ti West...
Like so many filmmakers staring down the barrel of the Covid-19 Pandemic, husband and wife duo Vanessa & Joseph Winter seized their opportunity to make a stripped-down, bare-bones, balls-to-the-wall horror movie. The newest entry in the found footage canon, Deadstream follows a disgraced Livestreamer, desperately trying to make a comeback...
A few years ago it was announced that Tom Gormican and Kevin Etten had written a screenplay about Nicolas Cage...
Nyla Innuksuk’s Slash/Back is an alien-infested sci-fi thriller set in a remote Innuit village of Nunavut, Canada. After encountering an alien creature...
Bitch Ass is the kind of indie horror movie that you wish had major studio money. In an alternate universe where the team was handed a blank cheque, or some slick producer was able to talk them into a $20 million budget, Bill Posley’s Bitch Ass would be the Scott Pilgrim vs...




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