There were a lot of reasons to be excited for season three of Stranger Things. But don’t for a second...
As we near the end of Found Footage Month here at Nightmare On Film Street, I felt it was appropriate...
What’s up, weirdos? Welcome back to Awfully Good, where we enjoy the worst that the horror genre has to offer! Right now you might be thinking, “Hey Mac, where were the bad movie reviews for April and May?” to which I would reply: let’s not focus on past mistakes. It’s...
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Anyone with a toe in the world of social media can tell you it’s rife with horror potential. Most of...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
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I can’t remember how old I was when I saw Cannibal Holocaust (1980) for the first (and only) time. I don’t even remember much of the story, but certain images from the movie are still burned into my mind. I was traumatized by it, not only by its graphic violence,...
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A unique achievement of crowdfunded filmmaking, The Unthinkable is an indie disaster movie with the feel of a big budget...
Time and time again, I have stated that movie monsters aren’t nearly as scary as the demons that live within...
There have been countless imitations of The Blair Witch Project (1999) since its release, but if you think the found footage sub-genre has nothing new to offer, think again. A new indie production, Butterfly Kisses, aims to redefine found footage horror by spinning the concept into an interesting and multi-layered new...
Feral is the latest genre flick seeking to stretch its found footage muscle. Rather than opting for a grainy hand-held...
Ah, period horror. If you know me, you know I’m not ashamed to admit my affinity for less-than-well received horror....
There are many things to love about Aislinn Clarke. She is the very first woman to direct a feature-length horror film from Northern Ireland. She’s a huge Stephen King fan. She’s a lifelong, dedicated horror fanatic and The Devil’s Doorway is her feature directorial debut. The film was picked up by...
