Every year is a good year for horror. That used to just be a nice thing to say but even...
81.25%
If you’ve already seen Satan’s Slaves (2017) or Impetigore (2019), you don’t need me to tell you that Joko Anwar knows how...
80%
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Multihyphenate Graham Skipper returns to the Chattanooga Film Festival with his newest feature The Lonely Man With The Ghost Machine– a post-apocalyptic tale about loss, isolation, and creepy crawly monsters that eat humans for dinner. Indie fans will no doubt remember Skipper’s Cronenbergian Body Horror mindf*ck Sequence Break (2017), and...
69.25%
Anyone with a toe in the world of social media can tell you it’s rife with horror potential. Most of...
Ah, The Others, a film that’s as mysterious as that one sock that always goes missing in the laundry. Alejandro...
Best known as The Newton Brothers, Taylor Stewart and Andy Grush are composers well versed in the complexity of the horror sound. Incredibly adept at navigating the intricate emotional tapestries that naturally reside within the horror realm, the pair manage to balance this tricky array of responsibility with startling ease....
To say that Bliss breaks the vampire movie mold is a hilarious understatement. Bliss shatters that mold, shreds it into...
I’m no stranger to late-night parties at a packed Brooklyn dive bar. But I have to admit, the afterparty on...
While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House) manages to pull off a unique take on the subject in his latest film, Come True. The atmospheric sci-fi horror film celebrated its world premiere at this year’s Fantasia Film...
Anything for Jackson is one of those films that calmly takes the tried and true exorcism and possession sub-genres and...
Travis Stevens’ Girl On The Third Floor takes the classic haunted house framework and weaves an original story that pulls...
It takes a lot of guts to make a movie. Putting something you created out there for people to judge, critique and scrutinize isn’t for the faint of heart, but putting something out there that has a deeply personal message is downright terrifying for most movie makers. Chad Archibald’s I’ll...
