With 11 Halloween films over 40+ years, horror fans have experienced many iterations of masked killer Michael Myers in his...
It takes a lot of guts to make a movie. Putting something you created out there for people to judge,...
Keola Racela’s feature film debut Porno pits a group of innocent Christian teenagers against an evil unleashed in their local movie theatre after watching a mysterious old film. Porno is absolutely hilarious, goofy, gory fun and was easily one of the biggest highlights of the 2019 Overlook Film Festival. You can read our...
You may know him as the odd Quality Assurance Director from The Office, but Gigi Saul Guerrero’s Culture Shock shines...
Welcome back fiends! Tonight we conclude our journey through the United States by way of its creepiest folklore in a...
How do you defend yourself from the undead when you can’t see anything? There’s an extra layer of terror that is added in Deadsight. Adam Seybold plays Ben Nielson, who wakes up to discover the world has been overrun with zombies (much like the opening of 28 Days Later and...
As we near the end of Found Footage Month here at Nightmare On Film Street, I felt it was appropriate...
Watching horror anthologies is a great way to expose yourself to the styles of multiple directors. Nightmare Cinema is the...
Director Jim Jarmusch’s The Dead Don’t Die is out now in theaters, and audiences are already raving about the funniest, weirdest zombie flick to come out in ages. And what everyone seems to agree on is that the film’s strength comes from its cast of characters, with folks like Bill...
Welcome to our third entry in the States of Horror series, in which we take you on a spooky road...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the most arresting movies of the entire festival. It’s a great time for people that like rough rides and an entirely original approach to the imaginary-friend-gone-amock subgenre. Adapted from Brian DeLeeuw’s...
