On the 200 year anniversary of Mary Shelley’s Frankenstein, veteran horror director Larry Fessenden set out to retell the story...
Everyone enjoys a good story of comeuppance. An audience can’t help but feel a sincere sense of jubilance when a...
Smaller and Smaller Circles is based on the award-winning novel of the same name by F.H. Batacan. It uncovers a string of violent deaths set in the slums of Payatas, Philippines. It’s directed by Raya Martin, and was written by Raymond Lee and Ria Limjap. Several bodies of...
They say Chivalry is dead, that there’s no kindness left in the world. For Frankie, the protagonist of the new...
A true story: February 2010, a good friend and I headed out on a Saturday afternoon to catch the remake...
Darren Lynn Bousman has worked on a variety of different projects. Most people credit him as the director of Saw II, III and IV, but he has also directed rock operas and large theatrical projects. His latest film, St. Agatha, is a story about a pregnant woman who is held...
With its impressive film library and unabashed passion for the genre, it would seem Shudder is perfectly poised to produce...
I’m not a huge fan of jump-scares in horror movies. I think they can work if they’re sparse, like in...
New Year’s is a celebration often lost within a mix of horror genre themes as it falls between that monotonous season following the salacious holiday months. Few filmmakers have dared to incorporate the time of renewal as a mechanism of horror, but Sophia Takal has smartly embraced the late night...
Horror films are not kind to rural life. People who live outside of “civilized” cities are evil, unintelligent hicks as...
A mysterious box shows up at your house with an even more mysterious note. Before you know it you’re trapped...
When it comes to the horror score game, there are few names more revered and respected than that of Goblin. For over 40 years, Goblin has reigned supreme as the eminent creative group behind some of horror’s most notable and loved scores. Their collaborations with Dario Argento on music for...
