Making a feature-length episode of Into The Dark for Blumhouse and Hulu is no game. Paul Davis (Into The Dark:...
Psychological horror is an often overused label, but the new indie horror The Dead Center is the rare bird that...
After a seemingly endless parade of false starts, fans of the beloved horror comic series Locke & Key finally have their long-awaited adaptation, thanks to Netflix, the Quixotic efforts of the original author Joe Hill, and Andy and Barbara Muschietti. While the series originally seemed as cursed as the Locke...
[Exclusive Interview] Writer/Director/Actor Toby Poser Talks Family Filmmaking in THE DEEPER YOU DIG
For Toby Poser, filmmaking is a family affair. Poser, her partner John Adams, and their two daughters Lula and Zelda...
Serving as the debut feature for actor turned director Dave Franco, The Rental sets out to “do for home-sharing what...
A beach getaway sounds like a dream, right? As the world turns and it feels like every part of our future is unknown, an escape to peaceful, comforting sands seems idyllic. Writer and director Jeffrey A. Brown dares to ask the question many ignore when it comes to vacation enjoyment...
The religious dark drama Nothing But the Blood – written and directed by Daniel Tucker—depicts a fundamentalist takeover of a...
Justin McConnell’s Clapboard Jungle documents five years in the life of an indie filmmaker. The documentary is not only a must-see...
Tar has so many uses, especially in the construction of buildings and roads, so it’s about damn time it was used in horror. It’s black, it’s sticky, it has a distinct smell, and it can be scalding hot. Tar pits hold secrets from millions of years ago, as many prehistoric...
Another Halloween has come and gone, though the festivities this year were a lot different compared to previous years, for...
Anything for Jackson is one of those films that calmly takes the tried and true exorcism and possession sub-genres and...
“Christmas carolers…I hate Christmas carolers.” Mrs. Deagle, myself, and everyone else. We are near concluding End of Days month here at Nightmare on Film Street and, much more mercifully, 2020 as a whole. Instead of wallowing in the crap fest that was this year, I chose instead to gleefully cover the...