What’s up, weirdos? Welcome back to Awfully Good, where we enjoy the worst that the horror genre has to offer!...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the most arresting movies of the entire festival. It’s a great time for people that like rough rides and an entirely original approach to the imaginary-friend-gone-amock subgenre. Adapted from Brian DeLeeuw’s...
There’s never been a better time to see your favorite comic book characters meet on the big screen than right...
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We all have a certain image of how a member of a satanic cult might look like, thanks to movies...
When it comes to sequels, you can usually find me reluctantly in the back row. I’m still there opening weekend, mainly to support any and every horror film that graces my local theatre, but I’m definitely passive aggressive about it. Which makes both my review and watching experience of Happy...
A supernatural tale unlike most you have seen before, Murder Me, Monster (Muere, Monstruo, Muere) follows a confused detective searching for a...
Can a gritty crime thriller be both dark and feel-good? Writer/Director Drew Goddard sure thinks so in his swinging ensemble...
Inspired by a Twitter back-and-forth that went viral, You Might Be the Killer is an ambitious meta-horror comedy that seeks to poke a stick at standard slasher fare. (I’m all for original source material, and Twitter seems to be ripe with horror content creators these days. [Oh heyyy]Â Just a few...
If you are one of the million people who viewed the trailer online, you will have gotten a taste of...
Death metal is dark, intimidating, and foreboding. Ironically enough, Heavy Trip is none of those things. It’s probably the most...
Dr. Frankenstein’s monster is given a digital makeover in this Netflix sci-fi thriller that attempts to ask the question of AI sentience, and what it means to be human. However, with most films dealing with artificial intelligence, TAU falls to tried and tested formulas. On one hand, Federico D’Alessandro’s debut...
