Dolls, with their lifeless eyes and eerily human-like features, have long been a staple in horror cinema. Their uncanny ability...
Making a feature-length episode of Into The Dark for Blumhouse and Hulu is no game. Paul Davis (Into The Dark:...
Death as a career makes for an interesting life. It’s like holding the great beyond with oven mitts, the corners and edges dulled by daily exposure. The fear, the grief, the terror of it all dulled by to-do lists. Argentinian Horror The Undertaker’s Home (La Funeraria) embodies that earthly purgatory....
Justin Benson & Aaron Moorehead (Synchronic) are indie filmmaking all-stars and they approach each of their larger-than-life projects with as...
There’s something uniquely thrilling about watching a horror movie. The anticipation, the jump scares, the eerie music – it all...
If you’ve already seen Satan’s Slaves (2017) or Impetigore (2019), you don’t need me to tell you that Joko Anwar knows how to make a really, really scary movie. His ability to create a lingering sense of dread and drop characters into living nightmares is unmatched and his newest effort, Satan’s Slaves...
[Exclusive Interview] THE WRETCHED Composer Devin Burrows Talks About Casting The Film’s Sonic Spell
While watching IFC Midnight’s new film The Wretched, a few things quickly become obvious. For one, a good summertime horror...
DESCRIPTION: Big news this week, Fiends! Nightmare on Film Street is officially part of the Bloody Disgusting Podcast Network. Join Kim...
July is Greedy Guts month here at Nightmare On Film Street, when writers are given carte blanche to write about whatever they want. Last year, I wrote about the phenomenon of punk characters in horror movies, especially in the ‘80s. That article later turned into this column. In the article,...
Prepare to be transported into the realm of the supernatural as we unveil a collection of bone-chilling real-life ghost stories....
It’s a Haunting on Film Street this month at NOFS. We’re talking poltergeists, haunted houses and evil spirits. At first,...
No More Content