Rob Jabbaz’s The Sadness is easily one of the most aggressively violent movies you’re bound to see all year. Teeming with...
When our fearless leaders, Jon and Kim, saw Starfish at this year’s Fantastic Fest, they were quite confused, to say...
There are many things to love about Aislinn Clarke. She is the very first woman to direct a feature-length horror film from Northern Ireland. She’s a huge Stephen King fan. She’s a lifelong, dedicated horror fanatic and The Devil’s Doorway is her feature directorial debut. The film was picked up by...
Many of us have spent most of our school years daydreaming and scribbling in our math books. Hell, most of...
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I’d always like to think that if I ever had to fight, like in a life or death situation, that...
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Plenty of movies use the “storyteller” frame. One character, in one world, will begin a tale that transports us, the audience, to a different world. The Princess Bride is a prime example. However, very few (if any) movies make this transition between worlds actually matter to the plot, giving characters...
Death metal is dark, intimidating, and foreboding. Ironically enough, Heavy Trip is none of those things. It’s probably the most...
This month at Nightmare On Film Street, we’re nearing the End of Days. Like many tinfoil hat conspiracy nuts, I’ve...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music and culture. Since the beginning of this column, I’ve wanted to cover anything by cult director Alex Cox, whether it’d be the toxic love story of Sid and Nancy, the...
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You might often feel like you’re already living through an apocalyptic nightmare, but I assure you that E.L. Katz’s new...
When there’s no more room in Development Hell, the (pretty much) dead will walk the Earth! 28 Years Later has...
DESCRIPTION: Happy New Year, Fiends! It all ends right here, right now, on this week’s episode of Nightmare On Film Street. Join your horror hosts Jon & Kim as they kick 2020 to the curb and welcome another pre-apocalyptic year with a double-feature of post-apocalyptic cinema. First up, we’re hopping...
