The Brooklyn Horror Film Festival wanted to keep its “Secret Screening” a true surprise. No Halloween, they said. no Suspiria....
Part crime thriller, part psychological horror, Charismata is a dark, atmospheric mystery with a tinge of gallows humor as the...
Ah, The Others, a film that’s as mysterious as that one sock that always goes missing in the laundry. Alejandro Amenábar’s 2001 horror masterpiece is a tale that’s as chilling as it is puzzling. Set in a creaking mansion trapped in a perpetual shroud of fog, this film captivates with...
‘What does it sound like when a computer dreams? And what does it sound like when a computer has a...
Some people collect stamps. Others collect books, records or mini slasher action figures. And then there’s Nathan Barr. Along with...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of his own psyche. The film stars Miles Robbins and Patrick Schwarzenegger as an odd couple on the verge of insanity. in my spoiler-free review of the film, I called Daniel Isn’t Real “[a...
Having a triumph film like American Psycho on her resume, one might assume there are no cinematic challenges left for...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
There’s a lot of common factors when it comes to the world of politics and the realm of horror as writer Alston Ramsay joins the two together for the latest installment of Into The Dark, The Current Occupant. Previously working as a speechwriter in D.C. for the likes of Secretary...
The 2019 Fantasia Film Festival audience had no idea what was in store for them when they sat down to...
Real estate and home ownership have fueled horror for as long as humans have told ghost stories. The dream of...
Adam Egypt Mortimer’s Daniel Isn’t Real was an official selection at the 2019 Overlook Film Festival, and quite possibly one of the most arresting movies of the entire festival. It’s a great time for people that like rough rides and an entirely original approach to the imaginary-friend-gone-amock subgenre. Adapted from Brian DeLeeuw’s...