While horror has delved into the subconscious waters of our dreams many times before, director Anthony Scott Burns (Our House)...
Death as a career makes for an interesting life. It’s like holding the great beyond with oven mitts, the corners...
With Shark Week surfacing in the near future, there’s no better time to unleash the latest installment in the Deep Blue Sea franchise. That’s right, the glorious 1999 blockbuster spawned its first sequel only two years ago. While the last movie left sharkophiles utterly disappointed, the newest entry easily outswims...
In a time where nothing is certain and a global pandemic continues to spread through much of the world, a...
Welcome to Saturday Morning Scares, where we take a look at horror TV shows for the little monsters! In keeping with...
After its World Premiere at 2019’s Fantasia Film Festival, The Wretched quickly became a film to watch…literally and figuratively. Following each subsequent festival appearance, dozens of glowing reviews poured forth. While the wait has been torturous for those of us who missed its festival run, the time has finally come....
Happy Cops ‘n’ Killers month, fiends! Or should I say “Cops…who royally screwed up and burned said killer alive, turning...
Resident Evil 3 is Capcom’s followup to last year’s Resident Evil 2 (2019) remake and is a response to its massive...
Nicolas Pesce’s The Grudge hits theatres this weekend, welcoming cinema-goers to a new year of horror movies. Featuring probably the strongest cast the franchise has ever seen, the film is as light on story as it is heavy on new ideas to anchor itself in stateside folklore. Pesce, tapped for the...
Disney’s nostalgia-fuelled remake machine has two modes: the ones like Alice in Wonderland or Maleficent that try to put a new spin...
The nature of human existence and one’s perception of reality can raise questions by challenging our own fundamental experience. In...
There are few horrors so iconic, so jaw-droppingly terrifying, that they have eclipsed the entire horror genre. Constantly compared, credited, and used as a marker to stake a claim over entire sub-genres. I am speaking of course, about Hideo Nakata’s Ring (1998), both the quintessential j-horror, paranormal mystery, and J-horror remake...




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