Powered by RedCircle DESCRIPTION Jingle bell, jingle bell, jingle bell SHOCK! Join your horror hosts Kim & Jon as...
Powered by RedCircle DESCRIPTION It’s Halloween o’clock somewhere! If you’re deep in the holiday trenches, trying desperately to keep...
I’ve long been fascinated about how horror cinema and musical genre crossover. Music fans can discover their new favorite movie when their favorite artist references the film in their lyrics, and film fans can discover their new favorite artist when their music is featured in their favorite movie’s soundtrack. I...
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Finding itself directly in the crosshairs of the late 70s Pornography boom, and the heyday of independent filmmaking, Ti West...
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Do you want more 80’s horror? You got it! David Weiner’s In Search Of Darkness: A Journey Into Iconic 80’s Horror was...
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Wounds are bloody voids surrounded by torn and ruined flesh, an empty space that serves as a reminder of pain, no matter how brief. That emptiness may seem trivial, but in Babak Anvari’s (Under the Shadow) film, literally named Wounds, injuries serve a higher purpose. Based on Nathan Billingrud’s short...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
Something Else is great for any moviegoer, but it’s hard to argue that horror fans won’t be especially pleased. It’s...
If there is any universal notion that proves to be wholly unerring it is that you cannot escape the past. Our actions, whether positive or negative, leave a lasting impression throughout our lives no matter how present or dormant they seem to be. Writer and director James Roday (A Million...
When it comes to the horror score game, there are few names more revered and respected than that of Goblin....
The Brooklyn Horror Film Festival wanted to keep its “Secret Screening” a true surprise. No Halloween, they said. no Suspiria....
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...
