Incorporating religious themes within cinematic narratives has become so widely used, it can easily go unnoticed. Horror may be the...
Chelsea Stardust has had a pretty killer year. She’s had not one, but two feature-length projects come to fruition. With...
Writer-director Jason DeVan’s Along Came the Devil, was released only last year, hitting the horror community with its slow-drip pacing, which relied heavily on clever sleight-of-hand and creepy practical effects. The film was met with mixed responses but featured a killer twist ending that left space for a perfect segue...
Rose Glass’ Saint Maud stunned Midnight Madness audiences at the 2019 Toronto International Film Festival, and it remains the one...
Is there anything more iconic in horror than the haunted house? An isolating setting, shadowy nooks, crannies, and the invasion...
The battle between Heaven and Hell rages on south of the border. Belzebuth is a Mexican religious horror directed by Emilio Portes. It’s the first release produced by his film company Pastorela Peliculas, named after Portes’ 2011 comedy Pastorela. Now on his fourth feature, Portes goes in a much darker...
Adam Egypt Mortimer’s Daniel Isn’t Real is a psychological horror that pits a fragile young man against himself and the horrors of...
It takes a lot of guts to tackle a slasher movie. With films like Halloween, Friday the 13th and Scream...
Christopher Caldwell and Zeek Earl’s Prospect is a sci-fi survival film that blends in elements of traditional westerns from the frontiers of an inhospitable land. I don’t immediately love westerns, but I can’t seem to get enough of movies that are secretly westerns (See: Every Tarantino Movie Ever). The unique genre-bender stars Jay Duplass (Manson...
The German possession film Luz celebrated it’s North American premiere July 20, at the the 2018 Fantasia film festival. Writer/Director were welcomed...
There are many things to love about Aislinn Clarke. She is the very first woman to direct a feature-length horror...
Few horror movies are able to nail a single, lasting image that leaves audiences shuddering in their seats long after the credits roll. For some, that first sentence brings up memories of a subconscious flash of Pazuzu or a the spinning head of young Linda Blair in The Exorcist. Or perhaps more modern...