The Oak Room (2020) is a love letter to the gothic thrillers of the past, which is fitting, since the...
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On a stormy night recently, I revisited Clue (1985), an essential dark comedy and murder mystery based on the popular...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre premise that moved me through the sheer power of storytelling. It’s not unlike The Shape of Water (2017) in the way it makes the viewer deeply, emotionally invested in a...
Chucky, Annabelle, Slappy, Brahms and Billy – Whether you love ‘em or hate ‘em, creepy dolls have been a staple...
It’s prom night. Your date is coming to your house to take you to the big dance. That wonderful feeling...
I regard Guillermo del Toro as one of the most (if not the) most esteemed genre filmmakers of the 21st century. His ability to tell enrapturing tales about life, love, and loss through fantastical and sometimes frightening vehicles, is unparalleled. Whether motivated by ghoulish red ghosts in Crimson Peak, a...
I’ll Take Your Dead from Black Fawn Films tells the tale of William (Aidan Devine, TV’s Impulse), a widower raising...
Nightmare on Film Street, a horror movie podcast and one of the leading Film/TV Review Podcasts on Apple Podcasts and...
It’s a dark and stormy night, and you’re all alone. The house is quiet, the lights are dim, and you’re in the mood for a good scare. But where do you turn? You could tour through the back catalog of Netflix, scroll endlessly on Amazon Prime, or stare at your...
