In Creep 2, Mark Duplass returns to the hypnotically unsettling role of psychotic killer, Aaron (Creep 2). Or is it Josef (Creep)?...
Going to parties can be a bit distressing; the pressure to interact with strangers and to waste your money on...
From Magnolia Pictures, Sergio G. Sanchez’s directorial debut Marrowbone is out in select theatres and VOD today. Fans of modern ghosts tales will no doubt remember Sanchez as the writer of 2007’s The Orphange, produced by Guillermo Del Toro. The haunting tale of lives lived and lost stars George MacKay (11.22.63, Neil Gaiman’s Likely Stories),...
I’m going to preface this review by saying I was not alive in the 70’s, and did not get the...
The Overlook Film Festival takes scary very seriously, and it came as a small shock to attendees when the Jury...
Few horror movies are able to nail a single, lasting image that leaves audiences shuddering in their seats long after the credits roll. For some, that first sentence brings up memories of a subconscious flash of Pazuzu or a the spinning head of young Linda Blair in The Exorcist. Or perhaps more modern...
Something interesting: The vast majority of horror movies and thrillers are set in the past. Partially due to nostalgia being...
As one of the first people to see the completed Halloween film, I’m going to do my absolute best to...
The female-driven zombie film Endzeit (Ever After) premiered to a sold out theatre at this year’s Toronto International Film Festival, which also recently held the world premiere of Shane Black’s The Predator, and David Gordon Green’s Halloween. Directed by German filmmaker Carolina HellsgÃ¥rd, Endzeit is written by Olivia Vieweg (adapting from her own graphic...
Slice is a small movie with big dreams and aspirations. It’s the directorial debut of first time director Austin Vesely,...
Before even seeing The Wind, it had already garnered originality points. A slow and subtle period piece, described as a...
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...