Nothing brings a scene together like a perfectly placed song. Add a choreographed fight and a couple buckets of fake...
58%
SCORE
One of the many great things about horror films is their ability to come in all shapes and sizes, styled...
72.5%
Demon possession movies, although constant crowd-pleasers, are often very predictable. The multi-million dollar Conjuring franchise has pretty much laid out the groundwork for what a modern possession movie “should” look like, but occasionally a film like Mickey Reece’s Agnes comes along to challenge that well-worn template. Directed by Reece from...
Prano Bailey-Bond’s Censor is a mind-bending examination of the Video Naty hysteria that gripped Britain in the late 1980s. The...
61.25%
Written and directed by Jonathan Cuartas, in his feature film debut, My Heart Can’t Beat Unless You Tell It To...
67.5%
If we have learned anything from the cold open of Army of the Dead, it’s that road head usually leads to disaster. The same can be said about the characters in Road Head, who are way too horny to be operating a two-ton vehicle at the same time. The dark comedy is...
It took an extra year to revisit John Krasinski’s silent world of A Quiet Place. With more distance between a...
82.5%
It should come as no surprise that Zack Snyder can direct the f*ck out of a zombie movie. His debut...
Powered by RedCircle DESCRIPTION: Welcome back to Nightmare Alley, the spooky little sidestreet podcast in the Nightmare on Film Street feed. Your horror hosts Jon & Kim are joined today by director Darren Lynn Bousman (Repo: The Genetic Opera) and screenwriter Josh Stolberg (Jigsaw) to discuss their new film Spiral:...
100%
We all know Mads Mikkelsen is a badass. Stoic, debonair, and composed —yes, but still a stone-cold badass. That’s why...
77.5%
I don’t know a dang thing about the Mortal Kombat universe at large but I do know that I like...
Horror filmmakers often use a relevant perspective and adopt current issues to mimic socioeconomic problems and triumphs. Some are more obvious than others in their application of these themes while others tread lightly. Writer and director Ben Wheatley (Kill List) plants his post-pandemic horror, In The Earth, with unsettling care...
