72.5%
Daniel Joseph Borgman’s Resin (Harpiks) celebrated its World Premiere at the 2019 Toronto Internation Film Festival where it was dropped...
72.5%
78.75%
In the face of prevalent everyday violence, desperate people search from something to blame. Grasping at straws, they blame video...
Neasa Hardiman’s Sea Fever is a bit of a fever dream, the kind of film that blends reality (life on an Irish fishing trawler) with pure fantasy (sea creatures and some quite literally eye-opening effects!) and asks you to believe in both. The film follows a marine biology student (Hermione...
76.75%
If Steampunk had been adopted by Perfume companies and the Dollmaker Mattel, (instead of neo-gothic adults with an affinity for...
Another holiday is coming up, which means Hulu’s Into The Dark must therefore ruin it. The tenth installment in the...
70%
Humanity’s abject reliance on technology is probed and dissected once again in the fifth installment of Charlie Booker’s Black Mirror. The renowned science fiction anthology — which has housed some of the most compelling genre shorts within the last decade — returns to the format of the first two seasons...
71.25%
Fans of psychological thrillers like Fear (1996), The Hand That Rocks the Cradle (1992), and The Crush (1993), take note:...
Moving into a new home is such an exciting time. Figuring out where everything goes and creating new routines allows...
Tucked between the groundbreaking documentaries and independent features that always come to the Tribeca Film Festival are a series of short films that defy any sense of normalcy. Branded the ‘genre’ section of Tribeca’s short film menu, these small masterpieces explore humanity in ways that only science-fiction, horror, and fantasy...
Technology is a horror show, governed by robots, algorithms, and targeted ads that are way too relevant to that conversation...
The new Indian horror-fantasy Tumbbad is a dark and dangerous story of one man’s greed for a fallen god’s gold. Like all men...
A last-minute addition to the 2018 Fantastic Fest schedule, Richard Shepard’s The Perfection was definitely not a hard decision. Fitting right in with this year’s musical-minded genre fair – nestled comfortably among Luca Guadagnino’s Suspiria scored by Thom Yorke, the simplistically synthy Halloween scored by John Carpenter, and the strange, danceworthy...
