In a time where nothing is certain and a global pandemic continues to spread through much of the world, a...
80%
Found footage is always shifting and morphing to fit the current digital age. And right now, it’s all about online...
85%
Bringing back a beloved series like Rod Serling’s The Twilight Zone is bound to be met with mixed reviews. Anyone who’s tried revive the show in the past — the middle-of-the-road 1980s version along with the panned 2000s update — has had to deal with incessant comparisons to the original....
53.75%
You Should Have Left reunites writer/director David Koepp with actor/lead Kevin Bacon to tell the story of a retired banker...
80%
As common as the horror anthology was not too long ago, it seems like they’re few and far between these...
87.5%
Animal lovers appreciate the love and care reciprocated by their pets so much so that the term “good boy” is one used to address even the most basic of commands. We love our pets and our pets love us. The cohesive relationship is not only natural, but necessary for some...
85%
Rage fuels the title character in Jonathan Milott and Cary Murnion’s movie Becky. After her mother’s unfortunate passing, the teenager is...
75%
Thanks to horror movies, I’ve become more and more suspicious of high society-types and what depraved acts might take place...
Bruce McDonald is a Canadian treasure. He has directed some of my favorite films, such as zombie radio drama Pontypool and punk rock tour story Hard Core Logo. His latest movie is the surreal and jazzy Dreamland. It stars Stephen McHattie in two roles; in one, he’s a hitman having...
Joining prime examples of the power of good filmmaking is director Zoe Wittock’s Jumbo, a film with a truly bizarre...
76.25%
In Sao Paulo, a city already rife with poverty, death and corruption, an ancient evil will be awakened, bringing destruction...
Joining the tradition of the stalker horror subgenre, specifically the “lady stalker” theme of films like Misery and Fatal Attraction, is Directer Zach Gayne’s Homewrecker, currently running at the 2020 Virtual Edition of the Chattanooga Film Festival. It’s a tightly structured, darkly comic, and effectively uncomfortable horror film that, while...
