Welcome to Saturday Morning Scares, a brand spankin’ new column where we’ll be taking a look at spooky shows meant...
Last Halloween, Faster Horse Pictures announced there development plans for a new horror franchise centered around one of New Orleans’...
It’s almost impossible to properly review The Turning without talking about how it ends. Let’s just say that the finale is so jarring that you almost manage to forget that you were grooving on the preceding 70 or 80 minutes, which are as fun as a haunted house movie can...
75%
If an app could accurately tell you the exact minute you’d die, would you download it? And say that app...
65%
Serving as a direct sequel, The Gallows: Act II is a sharp departure from the original. For the most part,...
100%
Horror Anthologies are hard to nail. Though always entertaining and delightful, few can hold enough steam to carry an audience eagerly through each segment. Often utilizing different directors throughout, Horror Anthologies — like V/H/S and ABC’s of Death — can lack consistency and a thematic throughline, making the segments feel...
92.5%
Richard Stanley’s Color Out of Space crash landed at Fantastic Fest 2019 with the sole intention of blowing minds and scaring the...
What puts the ‘haunt’ in a haunted house for you? Is it small spaces? Creepy crawlers? Morphed rooms? Masked monsters?...
83.75%
Is there anything more iconic in horror than the haunted house? An isolating setting, shadowy nooks, crannies, and the invasion of the penultimate safe space. The perfect cocktail for horror. Keith Thomas’ The Vigil takes that classic, terrifying format and drops it right in the center of an Orthodox Jewish...
92.5%
The final episode of a series is a tricky one to successfully produce. It can make or break an ensemble...
69%
SCORE
Has it been 27 years already? Boy, time sure flies when you’re getting the f*ck out of Derry, Maine. Unfortunately...
78.75%
Jagoda Szelc’s second feature film, Monument, is a puzzling one. It is both a surreal nightmare akin to the works of David Lynch and a corruption of youth as seen in Pasolini’s 120 Days of Sodom, yet it still exists as its own wholly unique piece of perplexing art. It...
