While we were all at home scared, eating ourselves into a COVID-coma last year, Neill Blomkamp (District 9) announced that...
[#Fantasia2021 Review] Occult Indie Horror HELLBENDER puts Mother-Daughter Relationships to the Test
Filmmaking is a family affair for the creators behind indie horror Hellbender. Who better to conjure a film about the...
If you’ve listened to the recent episodes of the Nightmare On Film Street podcast, you might have noticed the topic of nu metal has come up a couple times when discussing the soundtracks of Bride of Chucky and Valentine. Heavy metal has always had a presence in horror, especially in...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
Filmmaking is a tough racket–it’s hard enough to get the film made, to make it through the stages of production,...
While author Shirley Jackson would like us to believe “houses aren’t haunted – people are,” filmmaker Adam Stovall thinks the opposite in his debut feature A Ghost Waits. This monochromatic and shoestring-budgeted indie haunter finds Jack (MacLeod Andrews) in charge of fixing up a house and finding what exactly causes past...
While we see a fair share of movies about the elusive and iconic Bigfoot, the Wendigo is far less depicted;...
The slasher has outlasted its presumed expiration date, and then some. The golden age of this divisive subgenre is certainly...
Indie film is firing on all cylinders when it’s at its most ambitious, and that’s exactly what you’re in for with For The Sake of Vicious. Indie Horror is never a surprise in the low-budget market but Indie Action is another thing altogether. Action sequences are complicated, they require significantly more...
In Aaron B. Koontz’s The Pale Door, a gang of outlaws bite off more than they can chew after a simple...
At one point or another, we have all found ourselves laying on the bedroom floor, staring up at the ceiling,...
The Oak Room (2020) is a love letter to the gothic thrillers of the past, which is fitting, since the theme of the film is about the past catching up with you. In a cross between No Country For Old Men (2007) and Frailty (2001), the seedy bar stools of...




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