Whether you’re hosting a Friendsgiving, going home for the holidays, or flying solo with a tofurky loaf, there is always...
Movie streaming services are like restaurants. HBO Max is high-end dining, exclusive haute cuisine worth every penny. Amazon Prime is...
Join your horror host Jonathan as he sits down to discuss everything the NOFS crew has been watching this last week, including a sneak peek at next week’s episode of the Nightmare on Film Street Podcast and a few early recommendations from the 2022 Sundance Film Festival. On the docket:...
Welcome to Gut the Punks, a monthly dissection of genre films that have a loose connection to punk rock music...
The lights are down, the candy is unwrapped, and I’m practicing my cultured chuckle, which can mean only one thing:...
87.5%
It’s been 24 years since the release of Tromeo and Juliet (and it still blows my mind that James Gunn wrote part of the screenplay). The adaptation of William Shakespeare’s classic romance story is gross, violent, and punk as hell. More than two decades later, B-movie studio giants Troma has...
88.75%
The ground rumbles. Glasses shake. People look up, confused. Someone mutters, “it could be a dinosaur.” No, this is not...
The campfire is lit, marshmallows are toasting, and there’s a chill in the air. You and your friends hush to...
93.75%
French director Claire Denis is a genre chameleon. Each of her films could not be more different from the last as she deftly weaves through drama (White Material), romance (Let the Sun Shine In), and horror (Trouble Every Day). Her latest film, High Life, is no exception as it is...
Mary Shelley’s Frankenstein has remained one of literature’s greatest stories. It almost poetic that a story about life after death...
On the 200 year anniversary of Mary Shelley’s Frankenstein, veteran horror director Larry Fessenden set out to retell the story...
Dr. Frankenstein’s monster is given a digital makeover in this Netflix sci-fi thriller that attempts to ask the question of AI sentience, and what it means to be human. However, with most films dealing with artificial intelligence, TAU falls to tried and tested formulas. On one hand, Federico D’Alessandro’s debut...
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