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Three hired guns find themselves in over their heads after a routine rescue mission goes from bad to worse in...
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DESCRIPTION: Welcome back to Nightmare Alley, the spooky sidestreet podcast in the Nightmare on Film Street feed! This week, your...
The Overlook Film Festival takes scary very seriously, and it came as a small shock to attendees when the Jury Award for Scariest Feature went to the documentary Caniba. When jury members Peter Kuplowsky (TIFF Midnight Madness Programmer) and Toby Halbrooks (Director of A Ghost Story) presented the award, they...
Powered by RedCircle DESCRIPTION Buy a bag…go home in a box. We’re shifting gears after our existential J-Horror double-feature and...
Kate Dolan’s debut feature You Are Not My Mother world premiered at the 2021 Toronto International Film Festival, creeping out the unsuspecting...
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Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to hilarious. His sheer cinematic output and his generic range seem like impossible feats, but someone he has done it with an overwhelming sense of style. He shows no sign of...
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Indie horror filmmaker Travis Stevens (Jakob’s Wife) returns with his latest feature A Wounded Fawn, hitting Shudder Dec 1. Shot...
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Don’t you just hate it when you’ve booked a nice weekend getaway with the girls, and a smelly turtle alien...
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One eventful night of chaos. It’s a formula ideal for the found-footage horror, and one that’s been utilized to perfection in films like zombie-outbreak gone wild REC (2007), British mockumentary Ghostwatch (1992), and a little film about zoom seance gone wrong Host (2020); the feature debut of director Rob Savage....
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Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
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Films today never truly dip their toes in piety. It is often used in horror as a cheap-shot quick-grab “good vs evil” theme, running barely as thick as a bowl of a 69-cent can of soup. Saint Maud, the debut feature film from Rose Glass, instead dances a terrifying and...
