Director Romola Garai’s debut feature Amulet celebrated its World Premiere at the 2020 Sundance Film Festival as part of the festival’s...
Indie horror filmmaker Travis Stevens (Jakob’s Wife) returns with his latest feature A Wounded Fawn, hitting Shudder Dec 1. Shot...
The 2018 Overlook Film Festival was proud to host the world premieres of several highly anticipated films this year. Among them was a nasty little picture, that only the most depraved minds would find entertaining. So, of course, we lined up an hour early to guarantee our spot for Puppet Master:...
DESCRIPTION You have two choices: Win….or Die! Join your horror hosts Jon & Kim as they close out their “games...
Director Evan Marlowe pulls just the right strings for the uniquely disturbing horror trip that is Abruptio. Integrating life-like puppets into...
One eventful night of chaos. It’s a formula ideal for the found-footage horror, and one that’s been utilized to perfection in films like zombie-outbreak gone wild REC (2007), British mockumentary Ghostwatch (1992), and a little film about zoom seance gone wrong Host (2020); the feature debut of director Rob Savage....
I’m a huge advocate of watching movies while under the influence. I believe occasionally taking psychedelic drugs before a viewing...
Kate Dolan’s debut feature You Are Not My Mother world premiered at the 2021 Toronto International Film Festival, creeping out the unsuspecting...
I’m just gonna cut to the chase. There are only two reasons you are reading a review for James Gunn’s The Suicide Squad. If you’ve already seen the film and you’re curious to know what I thought of it, I loved it! It was super fun, super gory, and I’m probably going...
Powered by RedCircle DESCRIPTION Join your horror hosts Kim & Jon as they close out their Murder on The Marquee...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the...
Films today never truly dip their toes in piety. It is often used in horror as a cheap-shot quick-grab “good vs evil” theme, running barely as thick as a bowl of a 69-cent can of soup. Saint Maud, the debut feature film from Rose Glass, instead dances a terrifying and...