Pregnancy horror rages on in Alexis Jacknow’s Clock, adapted from her short film of the same name in which a...
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Richard Stanley’s Color Out of Space crash landed at Fantastic Fest 2019 with the sole intention of blowing minds and scaring the tentacles off of everyone in attendance. Fantastic Fest is almost a full festival of Midnight Madness movies and even with that in mind, Color Out of Space feels very much something...
Films today never truly dip their toes in piety. It is often used in horror as a cheap-shot quick-grab “good...
[Sundance 2021 Review] Analog Era Love Letter CENSOR Blurs The Lines Between Video Nasty and Reality
The 2021 Sundance Film Festival’s Midnight opener Censor takes viewers beyond the cold, grey world of Margaret Thatcher’s 1980s Britain into...
Alex Noyer’s Sound of Violence features some pretty elaborate deaths, tailor-made for the Midnight Madness crowd. Adapted from his short Conductor, the film follows a musician obsessively hunting for unique sounds to complete her symphony of destruction. Alexis, played by Jasmin Savoy Brown, experiences a rare sensory phenomenon known as Synesthesia that...
Before even seeing The Wind, it had already garnered originality points. A slow and subtle period piece, described as a...
DESCRIPTION: Welcome back to Nightmare Alley, the spooky sidestreet podcast in the Nightmare on Film Street feed! This week, your...
The Overlook Film Festival takes scary very seriously, and it came as a small shock to attendees when the Jury Award for Scariest Feature went to the documentary Caniba. When jury members Peter Kuplowsky (TIFF Midnight Madness Programmer) and Toby Halbrooks (Director of A Ghost Story) presented the award, they...
Every year is a good year for horror. That used to just be a nice thing to say but even...
Do you believe in demons? Do you believe that there are forces beyond your control laying in wait for the...
Japanese director Takashi Miike is prolific, to say the least. He has directed over 100 films, ranging from horrifying to hilarious. His sheer cinematic output and his generic range seem like impossible feats, but someone he has done it with an overwhelming sense of style. He shows no sign of...